Mystical Squaring Of The Circle In 28 Electromagnetic Wave - Runcel D. Arcaya

Runcel D. Arcaya
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"The Bell -Heart -Tetrahedron by "Welcome To The Golden Page" Rich Jarvis
https://www.facebook.com/100044337734021/posts/771230521031532/?app=fbl
Perfect match with "ALPHA EYE 1.37 FRACTALS " The Zero Code
https://www.facebook.com/100019145958436/posts/1203017813679739/?app=fbl













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Umbu Max says:
Cobra estimate is COPPER WIRE soirall at THE CROOS ...if you see that = health ( see Bibble) .

 

Amazing! I've just read today this post from a page, All the numbers mentioned here about the 2.72 Megalithic Yard is found in my diagram:
"ALPHA EYE 1.37 FRACTALS"
https://www.facebook.com/100019145958436/posts/1203017813679739/?app=fbl
... This is just mind-blowing
"132(Third Eye) reversed 231(Stargates)"
https://www.facebook.com/100019145958436/posts/1203827526932101/?app=fbl
"360°/132=2.7272727"
https://www.facebook.com/100019145958436/posts/1203300853651435/?app=fbl




Phippsburg History Center
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Phippsburg History Center
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THE EARTH’S AXIAL TILT ORIGIN
OF THE MEGALITHIC SYSTEM OF MEASURES
Slide 1 of 3
Three years ago, we began researching the North American rune stones because we surmised that both the Kensington and Spirit Pond Rune Stones had geodetic information imbedded within them. It was a crazy idea then, much less so today. Along the journey we added the Newport Tower to the research mix because the KRS side inscription makes clear that Narragansett Bay was the Vinland starting point, and the return point for the KRS expedition.
As the KRS was dated Year 1362, we focused on the 23.52° axial tilt value of the Earth for that year while working Length of Day/Length of Night formulations tied to latitude. During that research in astronomical papers we kept running into records that reflected an understanding that the Earth’s axial tilt was locked in at 24° for at least three millennia. The Romans, Greeks, and 3000 BCE Indian astronomers all cited this 24° axial tilt value. It wasn’t until Ptolemy, ca. 150 AD, that the written-about axial tilt value shifted to 23°51’20 This specific value was attributed by Ptolemy to Eratosthenes, who lived ca. 250 BCE.
Modern-era academics have, for the most part, have formed a Conventional Wisdom (CW) that the 24° was either an approximation, in short, a rounded value which remained unchanged until Eratosthenes updated it. This CW is not terribly flawed. The absence of detailed records from Antiquity made the CW supposition plausible.
Two years ago, we found that the dimensional proportions of the EGG at the Newport Tower happened to deconstruct to the Royal Cubit value. Then, by doing some series adding on the EGG dimensions, we derived the Megalithic Yard value. Then we took another look at the KRS side inscription values of 10 and 14…and found these numbers produced a ratio equivalent to the Royal Cubit and Megalithic Yard.
WHAT WERE THESE VALUES DOING IN A 17TH CENTURY WINDMILL (wrong!) AND A RUNE STONE CONSIDERED TO BE A LATE 19TH CENTURY HOAX (wrong!)?
Accordingly, we began looking for the basis of the Megalithic System of Measures. We found some intersects on the Cremona Document Maps. We ran some Sun elevation values on Equinoxes at Solar Noon for over 6000 latitude points which produced some very interesting intersects. We then overlaid a large number of historically recorded Royal Cubit and Cubit values onto the spreadsheet…more interesting intersects. We looked at the 33°/57° latitudes and noted that there was a 24° step increase between the respective Equinox elevations and the Solstice points.
The numbers worked…and the number 24 was at play for all of this. Yet, we still didn’t make the connection between the 24° axial tilt and the Megalithic System of Measures. Come on, the Earth’s axial tilt was at 24° in 3000 BCE. How crazy could it be that the Megalithic System of Measures coalesced at the point in history when the Earth’s axial tilt was 24°? It’s crazy!
Then we decided to look at where the various circles would be positioned on the Earth WHEN the Earth’s axial tilt was 24°.
This is what you see before you on this slide. Sketch it out, run the numbers. There it is. And we have another slide that breaks down how the Royal Cubit was derived from the latitude position of the Tropic of Cancer. We have also worked a Remen solution, as well, but that slide is not yet built.
Think about it…all those Megalithic Monuments that demonstrate Megalithic values (Megalithic Yard & Megalithic Fathom)….they are all SOLAR-Lunar monuments. The Pyramid of Ghiza…a monument with geometric, geodetic, astronomical, and Megalithic dimensioning information imbedded into it.
Solar….


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Runcel D. Arcaya
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"Rudraksha Rosary Beads"
For local orders ....p.m is the key
Note: "Rudraksha Beads" can be used by any people for any spiritual pursuits irregardless of culture,sect, religion or for personal use...This beads comes from nature, and is created by God for a purpose....Every person or culture might have different view or perspectives and spiritual backgrounds , in the end we have only One God, We are created by One Creature....We just name this One God by many infinite names...


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Jaers Oletes
parece una boca

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Runcel D. Arcaya
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"Rudraksha Rosary Beads"
For local orders ....p.m is the key
Note: "Rudraksha Beads" can be used by any people for any spiritual pursuits irregardless of culture,sect, religion or for personal use...This beads comes from nature, and is created by God for a purpose....Every person or culture might have different view or perspectives and spiritual backgrounds , in the end we have only One God, We are created by One Creature....We just name this One God by many infinite names...














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Jaers Oletes
parece una boca

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Runcel D. Arcaya
Jaers Oletes https://www.facebook.com/100019145958436/posts/1203017813679739/?app=fbl

=AZXu3Up22xt7qcgiMXDp9Syu5jIaVRXg72WpVaPvU-_Ongw-E-HWq0lWkOKePhlm6QCO6m6FzR6kp-cUzw71KorBF8a6Ja-KMtHUNgsJ-N22KUnSDC7ipFXTdi6gQn8bICa1ItIlJ6KPqNN6UxzZECG3ZQQTjiee9VW37QF8UJTeZIJVTjsWrluXaMktmJ27KBU&__tn__=R]-R']

 

Runcel D. Arcaya
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I Might as well make this "ALPHA EYE " Diagram a personal meditation Yantra like what the Ancients did with the Sacred "SRI CHAKRA YANTRA"(a 43 Triangle Foremost of all the Vedic Sacred Yantra diagrams)
A "YANTRA" is a 2D sacred representation diagram used mostly in Vedic, Hinduism,and Buddhists as spiritual transformational tool together with the "MANTRA", the Yantra is the visual representation of the Mantra frequency, in a sense the Yantra is equivalent to "Cymatics" form of sounds used in modern days today. The difference in the ancients,is that Yantras are considered sacred and is a revealed form from the divine, higher spiritual realms through the ancient seers,sages,saints during their lifetime works,contemplations,meditations, and enlightened blissful states....Yantras are used primarily in conjunction with its presiding mantra, In meditation Yantras can be used as points of focus like in the "Tratak" meditation while uttering its mantra...
~Runcel~
[The following is an excerpt from various articles...]
"WHAT IS SRI YANTRA"
It consists of nine interlocking triangles - four upward ones which represent Shiva, and five downward ones representing Shakti. All these surround the central point, the bindu. These triangles represent the cosmos and the human body. Because of its nine triangles, Shri Yantra is also known as the Navayoni Chakra.When the two-dimensional Shri Yantra is represented in three dimensions, it is called a Mahameru. Mount Meru derives its name from this shape. In addition to Mount Meru, all other yantras derive from the Shri Yantra.
The Sri Yantra's 9 constituent triangles vary in size and shape and intersect to form 43 smaller triangles, organized in 5 concentric levels. Together they represent the totality of the cosmos and express Advaita or non-duality. In the middle, the power point (bindu) represents the cosmic center. The triangles are circumscribed by two concentric circles composed of 8 and 16 petals, representing the lotus of creation and reproductive vital force. The entire configuration is framed by the broken lines of an earth square, representing a temple with four doors open onto the regions of the universe.
The worship of the Sri Yantra is central to the Sri Vidya system of Hindu worship. It represents the Goddess in the form of Devi Tripura Sundari, the natural beauty of the three worlds: Bhu Loka (Physical Plane, Consciousness of the Physical Plane), Bhuvar Loka (Antariksha or Intermediate Space, Sub-Consciousness of the Prana) and Swar Loka (Svarga or Heaven or Super-Consciousness of the Divine Mind). The Sri Yantra is the symbol of Hinduism, which is based on the Hindu philosophy of the vedas. The Sri Yantra is the object of devotion in Sri Vidya.[5]
The Shri Yantra represents the evolution of the multiverse as a result of the natural Divine Will of the Godhead Aadi Paraa Shakti. The four upward-pointing isosceles triangles represent the Goddess's masculine embodiment Brahman, while the five downward-pointing triangles symbolize the female embodiment Jagat jannani.[5] The 12 and 15 sides of the four upward and five downward triangles also correspondingly symbolise, on the physical plane, the 12 sidereal zodiac signs of the Sun and 15 'nityas' phase-signs of the Moon.[6]
The Shri Yantra is also known as the nav chakra because it can be seen to consist of nine concentric layers that radiate outward from the bindu. ("Nau" or "nava" means "nine" in Sanskrit.) Each level corresponds to a mudra, a yogini and a specific form of the deity Tripura Sundari along with her mantra. The various deities residing in the nine levels of the Shri Yantra are described in the Devi Khadgamala Mantra. These levels, listed from outermost to innermost, are:[1] Aadyaguru Shankaracharya established Sri Yantra at six places in India including Tirupati Balaji Temple, Srisailam , Bhraramrabika Temple Kolhapur Mahalakshmi Temple ,Tuljabhavani Temple, Kachipuram Sringeri etc. Historical researcher and archeologist Mr. Vishal phutane, knowledgeable in ancient technology and idol science, has scientifically established Sriyantras in Maharashtra and Karnataka..Recently the largest Sriyantra in India has been established in Solapur district on the border of Maharashtra and Karnataka.
Trailokya Mohana, the outermost square, traced in three lines and interrupted by four recessed portals;
Sarvasaa Paripuraka, the outer lotus, consisting of 16 petals;
Sarva Samkshobahana, the inner lotus, consisting of 8 petals;
Sarva Saubhagyadayaka, the outermost ring of small triangles (14 in total);
Sarvarthasadhaka, the next ring of triangles (10 in total);
Sarva Rakshakara, a smaller ring of 10 triangles;
Sarva Rogahara, a ring of 8 small triangles;
Sarva Siddhiprada, one small triangle containing the bindu at its center;
Sarva Anandamaya, the bindu.
https://en.m.wikipedia.org/wiki/Sri_Yantra
"The Symbolism of the Sri Yantra"
The Sri Yantra is a magnificent representation in a complex and intricate geometric pattern of the cosmic magnetic fields. The word yantra in the Tantric tradition refers to the Goddess or Devi in her linear or geometrical form. A five thousand year old Tantric symbol of India, it is the most auspicious of all yantras, the most perfect and the most complete. It is the abode and form pattern of the Goddess Lalita and represents the union of Shiva-Shakti (male and female elements) in macrocosmic and microcosmic aspects, in the cosmos and in the individual. The very presence of the Sri Yantra creates positive vibrations in the space it is placed, bringing positive changes.
"Lalita" is the shortened form of Lalitai-ambrika, meaning the Playful One. Her play consists of creation, sustentation and dissolution of the universe and also the lifting of devotees from Samsara (cycles of birth and death). She is the Universal Spiritual Energy and at one with the Supreme Being.
The word Sri (Shree or Shri) is another aspect or representation of the Divine Mother also known as Lalita, Tripursundari or Lakshmi. This beautiful geometrical form is used and worshipped to attract prosperity, happiness, success in worldly affairs and general good fortune and abundance.
"TRIPURA SUNDARI" (Lalita)
(Beauty Of The Three Worlds)
ॐ
श्रीं ह्रीं क्लीं ऐं सौः
ॐह्रींश्रीं
कएईलह्रीं
हसकहलह्रीं
सकलह्रीं
सौःऐंक्लींह्रींश्रीं
Who is Tripura Sundari or "Lalita"?
"TRIPURA SUNDARI"
THE ESSENCE OF BEAUTY IS GOD
The third Great Cosmic Wisdom is known under the name of Tripura Sundari or Shrividya Tripura. The Goddess manifests, generally speaking, three fundamental aspects of the Divinity, which may be extended to the level of the whole creation.
Moreover, in the Tantric tradition there are many other forms of reuniting three aspects in one, such as Trishakti (referring to the three fundamental energies of God in the manifestation: iccha shakti – the energy of will, jnana shakti – the energy of knowledge, and kriya shakti – the energy of action) and Trilingam (referring to the three aspects of the universal lingam, which are: svayambhu lingam, bana lingam and itara lingam).
From an etimological point of view, “tri” means Three, and “pura” means city, or citadel. Thus Tripura may be translated as “the one comprising all three citadels”, referring to the three worlds or gigantic spheres of God’s creation: the physical world, the astral world and the causal world.
Due to the perfect homologation between the structure of the human microcosm and the macrocosm, these three citadels are usually associated to the three “bodies” of the human being: the physical body, the astral body and the causal body.
From a different perspective, the significance is that of the goddess’ sovereignty, on the matter, energy, and thought at the level of the whole creation.
Moreover, this grandious manifestation of the Great Cosmic Wisdom Tripura Sundari refers also to the three fundamental states of the human being: the state of awakening, the state of sleep with dreams and the state of deep sleep, without dreams, symbolized in Tantrism as the light of the fire, of the Moon and of the Sun.
Consequently, Tripura Sundari is the bright, gigantic sphere of divine consciousness that pervades all experiences of the three worlds of the Creation, but in the same time transcends them completely. The first “city-citadel” of the goddess is the state of awakening, in which the human being experiments various states of spirit mainly through the five senses.
In this case, the Tantric tradition asserts that the location of the individual consciousness is at the level of the right eye, or in the area of the forehead, in between the eyebrows.
The goddess second “city-citadel” is the state of sleep with dreams, associated to the level of vishuddha chakra, in which the individual consciousness is centered in the mind.
The goddess third “city-citadel” is suggested by the state of deep sleep, associated to the level of anahata chakra, in which the individual consciousness becomes united with its divine nature.
As the sovereign goddess of these three principal states of consciousness, Tripura Sundari represents in the same time the fourth state of consciousness (turiya), which transcends all other three and which is associated to the state of ecstasy (samadhi) and spiritual freedom.
TRANSFIGURATION IS THE MAGIC KEY
In the Tantric vision, from the point of view of the universal principles, it is known that the feminine principle represents Gods manifestation in the aspect of names and forms while the the masculine principle signifies the transcendent aspect of God.
Therefore, the feminine nature is always associated to beauty. We may justly ask ourselves: where can one find the supreme beauty? The tantric teachings urge us to seek this beauty inside of us, because exterior beauty can only reflect, mirror for a few instances the ineffable inner beauty, which transcends all forms.
From a literary point of view, Sundari means “beauty” and this Great Cosmic Wisdom’s worship represents, in fact, following the path of beauty and ecstatic bliss through the manifestation, to the Divine Absolute.
On the level of the ordinary conception of the world, we imagine beauty as implying the perfection and harmony of the exterior outer forms, as is the case of a beautiful woman or a gorgeous flower.
However, regardless of their beauty, if we analyze them closer, we will discover certain less appealing aspects. Moreover, as a direct consequence of our lifetime experience, we all know that all formal beauty will eventually fade and even disappear, sometimes even very soon. This thing happens because the form may embody an amazing beauty for a while, but nonetheless, beauty is and means more than any form.
On the supreme level, the genuine beauty is eternal, and it is reflected only to a certain degree in the changing forms of things and beings of the universe. From this point of view, Tripura Sundari represents more than the formal beauty (which is mainly the attribute of Kamalatmika, the tenth Great Cosmic Wisdom), Tripura Sundari is the very indescribable beauty of the perception of the divine perfection.
This is the reason why beauty should never be considered as inherent to objects, as it appears from the unwrapping of the divine consciousness light that irradiates from every single thing.
THE PURE MIND MIRRORS THE TRUTH
In order to resonate with this euphorical state of perception of the beauty we need to eliminate any preconceived ideas, about what we know or we can evoke through our memory.
In other words, we truly need to “cleanse” our mind so that the magnificent and glorious light of the Divine Self could reflect itself. If we do not fulfill this condition, the residues of our thoughts and emotions will obstruct, as a dark pellicle the divine beauty surrounding us.
Essentially speaking, Tripura Sundari represents the supreme beauty of the pure perception that appears when we are capable of “seeing”, of “envisaging” inside of our being the whole manifestation and the whole Nature as a direct reflection of Gods consciousness.
Thus, the Great Goddess appears to us as the beauty of the whole creation, but this perception is performed in the terms of the indestructible divine unity, in the sense that the whole macrocosm is Brahman or the Heavenly Father and that there is nothing outside His consciousness.
Therefore, the ardent worship of the Great Cosmic Wisdom Tripura Sundari is one of the shortest and most secure path towards the revelation of the Divine Self.
When the mind is suffused with this divine knowledge, it will easily find a total satisfaction in whatever we do. Our perception is then transfigured, and thus we will find joy and happiness in all that we do, even in the most common and apparently insignificant gestures and actions.
We are now free from any conception of time, space, size, distance or importance of things. Any perception reveals then Gods eternal and compassionate presence and thus any perception becomes a kind of small universe in itself, allowing us to know intuitively the uniqueness of the Divine Consciousness in the appearance of the myriads of forms of manifestation.
THE WORLD IS A GAME
Tripura Sundari is also known as Lalita, “the one who plays”. The Hindu spiritual tradition asserts that the whole Creation is in fact the beautiful, charming game, or play of the Divine Mother.
To which we, as human beings are concerned, we are merely transient individualities in the Mothers gigantic game and in order to become free from its illusion we need to understand which is the primordial source of the power and energy that moves around the whole Creation.
Our sufferings are mere illusions; they are a direct consequence of the false knowledge rooted in ignorance and the manifestation of the ego. This is relatively simple: because we stubbornly and obstinately tend to control our happiness, or we tend to “own” it from the point of view of a separate, false “self”, we practically “split” from the genuine spiritual bliss.
As an accurate and pure image of this bliss, Lalita indicates to us the modality to come out of this situation, that we need not deny happiness, but we should discover it inside ourselves.
Practically Lalita awakens the receptive soul to the divine happiness impregnating every single thing that exists in the universe.
Lalita is also known as the deity presiding Sri Yantra, the Yantra that is at the base of the whole universe, and that is originated in the universal subtle sound, pranava.
Lalita is considered as the most beautiful of deities and represents the supreme ecstatic bliss as source of any other wonderful perceptions.
The tradition says that She is located on the peak on Mount Meru, the so-called Cosmic Mountain, sustaining and leading the movement and action in the whole universe. In the microcosm of our being, Mount Meru is associated to Sushumna Nadi.
She also represents the endless divine love, which is in fact the central, essential force motivating the existence of the Macrocosm and in the same time the initial impulse towards spiritual freedom.
LOVE IS THE GATE TO HER HEART
Tripura Sundari is also named Rajarajeshvari, or the “governess of the whole creation”, because She gives the “orders of ruling” the macrocosm.
Therefore, it is important that we think of Her and that we invoke Her grace whenever we are facing a difficult life-decision.
However, Her “orders” are not based on authority, but they respect exactly the free will of each being and they are impregnated with endless divine love.
Consequently, all we need to do in order to receive Her grace is to open up our hearts with sincerity, to the love she offers us unconditionally.
However, to deeply understand her way of action in the universe, we need to eliminate our selfish desires and to love in a transfiguring manner everything around us.
From the spiritual tradition of the Tantric teachings, beauty and ecstatic bliss represent the fundamental energy of the universe, and the “game”, the “play” is the nature of any existing thing in the universe.
Knowing all these, the path towards spiritual freedom and towards obtaining the real happiness and fulfillment becomes easier. This is the spiritual “key” offered to us by the Great Cosmic Wisdom Tripura Sundari.
TRIPURA SUNDARI IS REVEALED AS A 16 YEARS OLD GIRL
One of the most famous representations of the Great Cosmic Wisdom Tripura Sundari is a 16 years old girl. This anthropomorphic vision of the goddess is known as Shodasi (meaning “sixteen”) or Bala (meaning “young girl”).
The age of sixteen was not chosen by accident in this form of Tripura Sundari, because this is the age when the woman experiments the most pleasant and fascinating aspects of her personality at this age.
In this stage of her life, her most inner impulse is to experiment new sensations, and to fascinate the people around with her charm.
This is why it has been said that her innocence and purity disarms even the darkest souls, acting as a powerful magnet for all who resonate with beauty, truth and goodness.
Thus, just as the young girl of sixteen, Shodasi guides the aspirant with great discernment on the spiritual path, representing for the aspirant the innocence and the ardor towards God.
SHE SPREADS THE NECTAR OF THE DIVINE KNOWLEDGE
When we think about the transcendent divine aspects, which imply the essential forms of God’s consciousness and energy, Tripura Sundari is associated to the indissoluble reality, which is Cit-Shakti.
In Her aspect of Pure Knowledge, She is known as Samvit, referring to Her capacity of understanding and perceiving everything (every thing, being, phenomenon) as being infused with God’s supreme consciousness.
From this perspective, the Great Cosmic Wisdom Tripura Sundari appears as a Power of intuitive and perceptive knowledge, and less as a knowledge issued from discursive analysis and reasoning.
She represents that form of manifestation of the Supreme Divine Energy (Parameshvari) who appears to us as pure consciousness and as pure bliss.
In an overall attempt of resuming these aspects, we may state that Tripura Sundari is combining some aspects of the energy of activity (characteristic to Kali) with some aspects of the energy of knowledge (characteristic to Tara), adding to these the dimension of the bliss or beatitude of the supreme realization.
Closely related to the energy of spiritual beatitude, and with the presence of the divine nectar soma, Tripura Sundari represents also the Moon, as visible embodiment of the transcendent beauty and happiness.
From a subtle point of view, Sundari represents the ecstatic experience of spreading the divine nectar inside the aspirant, due to the process of resonance with the most elevated aspects of God’s Consciousness.
As the very source of the subtle soma, the goddess is located in Sahasrara padma, the crown of the head.
Through Her grace, the divine nectar conferring immortality is spread through the whole being of the aspirant, until the aspirant realizes the fact that the entire manifestation is infused with the same subtle energy of infinite beatitude.
TRIPURA SUNDARI PIERCES US WITH THE ARROWS OF ECSTASY
Regarding the Goddess’ form, to be visualized during meditation, this is said to be brighter than a thousand suns, and She wears a crescent moon on her head.
Tripura Sundari is represented with four arms, in which She holds a bowl for cane sugar, five arrows wreathed from flowers, a noose and a hook.
She is usually naked in these representations wearing only wonderful jewels, bracelets on her hands and ankles, earrings, rings, necklaces, and so on.
Her beauty is dazzling and her face and body are very young. Most of the times she is represented as sitting on a bed (which signifies the great God Sadashiva bent over His four forms: Brahma, Vishnu, Rudra and Maheshvara, symbolized by the four feet of the bed.
The bright red color in which is represented the Great Cosmic Wisdom Tripura Sundari signifies her state of ecstatic bliss, her knowledge illuminating and complete, as well as her compassion for all beings in the universe.
The symbolic significance of the objects she holds in her hands is the following: the bowl for cane sugar represents the mind, the arrows made of flowers represent the four senses, which through her grace become as many “gates” of manifesting an overwhelming happiness.
Metaphorically speaking, Tripura Sundari “hunts” us with the arrows of delight and happiness, revealing thus to us all the forms of the Creation as aspects of our inner divine nature.
The noose she holds in her third hand signifies her ability of attracting her sincere and devoted worshipers through her dazzling beauty. The hook held in her fourth hand represents the means through which she cuts off any attachment for the illusions of the outside world.
SHE CONTROLS AND FULLY MANIFESTS ALL THE FIVE ELEMENTS
Shiva‘s five forms on which Tripura Sundari is sitting are named in fact “the five bodies”, because they are absolutely inert in the absence of the energy infused by Tripura Sundari.
From this subtle point of view, these five forms symbolize the five elements (mahabhuta) of the manifested world, and the five types of Shiva’s main activities: create, preserve, destruct, occult, and grace.
Thus, Brahma signifies the earth element (prithivi mahabhuta) and the activity of creation. Vishnu is the water element (apas mahabhuta) and the activity of preservation.
Rudra is the fire element (agni mahabhuta) and the activity of destruction and transformation. Maheshvara represents the air element (vayu mahabhuta) and the activity of concealment, in other words Shiva’s action of hiding His essential nature.
Sadashiva is the fifth and most subtle of all the elements, the ether element, (akasha mahabhuta) and symbolizes Shiva’s grace, which frees us from the bonds of illusion and offers us the capacity of transcending it entirely.
THE REVELATION OF OUR SUPREME SELF ATTRACTS HER GRACE UPON US
The most elevated way of worshiping Tripura Sundari is to find our inner peace in the Supreme Self (Atman), or in other words to reveal our divine essence as the supreme, eternal reality of the whole creation.
The most direct method to attain this goal is that of deep introspection on our real identity, representing atma-vichara, whose method is mainly and synthetically presented in the question “Who am I really?” or the very relevant and abstract methods of the jnana yoga.
The fundamental experience resulting from here is the one that makes us understand that the things around us are not separated from ourselves, because they have the same source and the same essential nature.
In this respect, the teachings of the vedantic tradition say that it is below our dignity as human beings to let ourselves be taken over by feelings of guilt, fear, worry, or anger or for that matter, any feeling unsuitable with the spiritual perfection and harmony that we embody.
It is also beneath our dignity to identify ourselves with this tiny body, in bones and flesh, or with an ephemeral mental structure. Likewise, it is an insult to the Supreme Self to be identified with a limited body or a hesitating personality.
The deep understanding of these truths attracts the overwhelming grace of the Great Cosmic Wisdom Tripura Sundari, who will prepare our body, heart and mind for experiencing the eternal and infinite bliss of the Divine Absolute. https://www.sivasakti.com/.../dasa.../tripura-sundari-3/














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Shane White-saunders
This is the all seeing eye of the soul.

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  Andreas Emanuel Fischer
  It takes someone to know someone
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    Runcel D. Arcaya
    Andreas Emanuel Fischer Know thy self, and you know the universe
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  Ana Ribeiro
  ..... Can't we all pitch in, so that you can buy a computer..... As the British say, every bit helps,.... There are quite a few of us, following up, appreciating your intellect, lots I'm sure have far better currencies than mine, but I would love to help.... Just tell us how to send you the money. . anny
  
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  Glenon Dave C. Dalayao
  Highlights lagi kayo ng fries diha nong.
  
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    Runcel D. Arcaya
    Glenon Dave C. Dalayao mao na ni ako snack krun non, picapica
    
    
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    Runcel D. Arcaya
    Glenon Dave C. Dalayao sugdan na nko Ang krimin non, ilad nasad Ani mga Kano!
    
    =AZWTMoJta9uFHwkSs1Joy-1KwZMp5SWjVq6ZVTvWvXTcnkUNcXmmy4laLGGu-x4ANbYXugPmjCyDLjcJGYUA6FtECoYNymuUanEAM8niEQtqi4IPIYp3i7PNbaNG8rDaSJE21u9H4ZEZvY2yw_1qreI_etOhEpYJMiK2UBjp8Dzdy7NhVPq9Cad-LWnrcdbqtyo&__tn__=R]-R']
    
    
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    • 4d
• 
  Abinash Lim
  Computer nural scama fulid (cineme)
  
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  Monica Mihai
  Keep up the good work!
  
  
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  Monica Mihai
  
  
  
  media0.giphy.com
  
  
  
  
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  Monica Mihai
  
  
  
  
  Tenor
  
  
  
  
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• 
  Monica Mihai
  
  
  
  media1.tenor.co
  
  
  
  
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  Rhonda Dalton
  That need to be sweet potato fries or eggplant fries. You know that white ain't good. Yea. How you like the living arrangement in your neck of the woods. I'm not liking what's going on and I ain't buying the babble.
  
  
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    Runcel D. Arcaya
    Rhonda Dalton I ate this like once in a blue moon , I'm a bit hungry and I really need an ample calories to keep my neurons firing, blasting to its optimum, when I do diagrams like this with low tech app, I do alot of manual measurements with a hell of a focus...I even barely had to breath and blink most of the time...
    
    
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      Rhonda Dalton
      Runcel D. Arcaya I know you know what you doing.
      
      
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  Tiger Fine
  
  
  
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  Ian Hawthorne
  Old school
  
  
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  Hans Nabu Dreuger
  Nice
  
  
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  Alisha Young Hall
  French fries always help with the art hehe
  One of my favorite indulgences
  2
  
  
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  Susan Tremont
  Love your work..I hope to make a crystal grid using this design if that's ok
  
  =AZWTMoJta9uFHwkSs1Joy-1KwZMp5SWjVq6ZVTvWvXTcnkUNcXmmy4laLGGu-x4ANbYXugPmjCyDLjcJGYUA6FtECoYNymuUanEAM8niEQtqi4IPIYp3i7PNbaNG8rDaSJE21u9H4ZEZvY2yw_1qreI_etOhEpYJMiK2UBjp8Dzdy7NhVPq9Cad-LWnrcdbqtyo&__tn__=R]-R']
  
  
  
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    Runcel D. Arcaya
    Susan Tremont absolutely you can use it...
    
    
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      Susan Tremont
      Runcel fabulous, thank you !!
      
      
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      • 3d
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  Ben Knappe
  Paint and fries!
  
  
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  Torre Thomas
  Amazing!!!!! Literally no excuses lol
  
  
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Then its Reversed: 231/132=1.75
Refer to Sir Robert E. Grant Works about this "0.571" and "175" Constant in his post "THE ENIGMATIC NUMBER "24"
https://www.facebook.com/863108987231362/posts/1641927019349551/?app=fbl














+20 (see 19 more photo next post(s))


Runcel D. Arcaya
·
"132"(Third Eye )
Reversed/Reflected
"231"(Stargates )
"The Universe and Whole of Existence is the reflection of the Image of The Creator, God.."
And Man itself is the fractal reflection of the whole Cosmos.."
~Runcel 3-29-23~ The Zero Code
Genesis 1:27
"So God created man in his own image, in the image of God created he him; male and female created he them."
"132" IN JEWISH GEMATRIA MEANING:
DECODE GOD=132
HIDDEN CODE=132
THE EGG=132
FACE OF GOD=132
BRAIN=132
GEMS=132
DIAGRAM=132
DIAGONAL=132
GRAND=132
MEANING=132
MAAT=132
ALL OF ME=132
ATMA=132
GOD MAN=132
MAN GOD=132
GENOM=132
CODE Q=132
KING KING=132
REACH ME=132
I CODE GOD=132
A FINE MAN=132
BIBLICAL MAN=132
BIOMAN=132
B O O M=132
ECHO ECHO=132
EDEN GOAL=132
DECODE DOG=132
A HIDDEN GOD=132
231 JEWISH GEMATRIA MEANING:
AUM=231
GENETIC CODE=231
DIGITAL GOLD=231
THE GOD GENE=231
A GOD IS HIDDEN=231
GOD IS MAN=231
MAN IS GOD=231
END OF THE AGE=231
MOON GOD=231
BE INFORMED=231
ADAM QADMON=231
ADAMANTINE=231
I AM DEATH ANGEL=231
ONE O CLOCK=231
ONE RING=231
GOLDEN PEN=231
GENDERS=231
GENE EDITING=231
CHRONO=231
GREAT EAGLE=231
THE DEATH=231
PIANO MAN=231
ACT A FOOL=231
GOLD KINGDOM=231
GOD IS MAGICAL=231
SNEAKER=231
AMPHIBIAN MAN=231
NO GENDER=231
ORION B=231
DECODE SOL=231
Here's an excerpt Article about the 231 GATES
OF KABALLAH:
The 231 Gates "The Great Master-Key to the theoretical and practical Kabbalah"
The 22 HOUSES And The 231 GATES?
What does this mean?
Such is the Jewish wisdom of the Kabbalah, explained cryptically in the biblical Sepher Yetzirah (or Book of Creation).
Since there are 22 Letters in the Hebrew Alphabet there can only be a maximum of 231 lines that connect these dots or houses in a wheel or circular array. They are thus known as Gates and have deep meaning as in how they connect to one another.
22 Foundation letters: God placed them in a circle like a wall with 231 gates. The Circle oscillates back and forth.
The Sepher Yetzirah, refers to the lines connecting each pair of Hebrew letters as gates. Rabbinic tradition teaches that systematic meditation upon the various combinations will open the mind to the mysteries of God. In the context of the Wheel, we can see that such mediation will lead to insight into the meaning of each letter, hence the meaning of each Spoke, and from there, we will gain insight into the meaning of the Word of God, and so come to know a little more of God himself, who is the greatest mystery of all.
God created the vacated space, a sphere. God placed the 22 Hebrew letters on the circumference of the sphere. God made all the possible two-letter combinations by connecting the letters with straight lines across the sphere he created a complex geometric matrix called the 231 gate. Through the 22 Hebrew letters(energy forms or energy agents), God created the soul of all creation and everything else that was ever to be created.
Every "gate" in the circle is formed by letters of alphabet and stands as a combination of 2 consonants (2 letter Heb. roots) Through these "gates" the creative power goes out into the universe which is sealed on all 6 sides with the permutation of YHVH(God) each permutation of YHVH is a configuration of the Sacred Circle, with various configurations possible within each permutation. The combination of the letters are used to both create words and to create the universe. Combination is one series of operations.
In the Kabbalistic work Sepher Yetzirah, the 231 Gates of Creation are outlined.
Working a Gate
A Gate is the sequential travel from Sephirot to Sephirot which includes the Sephirot AND the 'paths' that connect them. In modern lingo, we use the term 'path' to indicate the connections between the Sephirot, but this is really a misuse of the term, Kabbalistically speaking. In the ancient texts, the term "Path" is used for the Letters AND the Sephirot (e.g., the 32 Paths of Wisdom) and is not an indication of a connection between the Sephirot. So, the individual Sephirot are each "Paths" as are each of the individual Letters.
The first step in working any Gate is to raise your conscious awareness to the "highest" (or first in the sequence noted) Sephirah of that particular Gate. So, first you must raise your awareness to the "highest" Sephirah of the Gate. Then, you must establish a connection with the next Sephirah in the Gate's sequence. One way to do this is to project the image of the corresponding Tarot arcana (except with the "Hidden Paths"... ) and cause it to become a path which connects the two Sephirot. Then, you (i.e., your conscious awareness) traverses the projected image/pathway into the "lower" Sephirah.
Once you have arrived, you create a similar pathway to the next Sephirah in the Gate's sequence, and so on until you reach the place where you started. Then you reverse your footsteps until you again return to your starting point.
Working the Gates is about the focused and intentional movement of your conscious awareness. This integrates the levels of self-awareness involved in that particular Gate.
When working a Gate, one always begins with the highest Sephirot and travels first to the lowest Sephirot. The example of Gate #4 (8.10.9. , which is composed of six "Paths", one begins in the highest Sephirot of Hod ( and travels first to the lowest Sephirot in the Gate, Malkuth (10). Then one makes their way from Malkuth to Yesod and then from Yesod back to Hod, completing the form. And then, one works the Gate in the reverse direction by traveling from Hod to Yesod, then to Malkuth and ending once again in Hod.
So, a Gate is composed of at least three "Paths" and represents the integration of the various levels of consciousness symbolized by the "Paths". A "Path" on the other hand, represents just a single discrete level of consciousness and not an integration of levels.
Each Gate is a simple geometric form. There are 38 lines (i.e., two Sephirot and one path, like Gate #1), 68 triangles (three Sephirot and three paths), 74 quadrangles (four Sephirot and four paths), 41 pentan-gles (five Sephirot and five paths) and 9 hexangles (six Sephirot and six paths). The final Gate, #231, is the whole Tree and represents the final integration of the completely self-realized Self.
Gates
51 Temporal Gates
78 Eternal Gates of Binah and Chokmah
102 Eternal Gates of the Kethric Brilliance
Lie group and 231 gate
64 Tetrahedron grid
The Sum of all divisors of 231:
1+3+7+11+21+33+77+231=384
There are 384 lines that make up the i ching and they can be used to construct the 64 tetrahedron grid
Xen particle/infinite tetrahedron grid
Xen particle=328=3:28=84
384=3/84=28
XEN QABBALAH WIKI
Number 231
Number 231 and number 21 connection
1+2+3+4+5+6+7+8+9+10+11+12+13+14+15+16+17+18+19+20+21=231
3×7×11=231
3×7=21
3+7+11=21
21=777
The number 7 connection
21=777
777=7:77=7:14=72(Tetragrammaton/Tetractys(God))
231/7=33
7 is related/connected to the 7 tetractys and the 7 tetrahedral tetractys which is related to 84(which is related to the xen particle and the 64 tetrahedron grid) and 168 which are related to the E8×E8 (superstring/xen particle)
Maths
231 is a:
triangular number
hexagonal number
octahedral number
centered octahedral number
the number of integer partitions of 16
Links
http://www.labirintoermetico.com/.../Rawn_C...
https://xenqabbalah.fandom.com/
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22Prof J Paul DeVierville and 21 others

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Simone Warin Savina
132/231=0.572 (instead of 0.571) 572=22*26 (22 letters + Yhwh)

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Runcel D. Arcaya
Simone Warin Savina (132/231)+3= 22/7 Pi

 

19 more photos

 

24 inverse 42
42 is the 'apical' angle of a triangle, known as: isosceles triangle


~susan lynne schwenger

 

1–10 sides	Monogon (1) Digon (2) Triangle (3) Quadrilateral (4) Pentagon (5) Hexagon (6) Heptagon (7) Octagon (8) Nonagon (Enneagon, 9) Decagon (10)
11–20 sides	Hendecagon (11) Dodecagon (12) Tridecagon (13) Tetradecagon (14) Pentadecagon (15) Hexadecagon (16) Heptadecagon (17) Octadecagon (18) Icosagon (20)
>20 sides	Icositrigon (23) Icositetragon (24) Triacontagon (30) 257-gon Chiliagon (1000) Myriagon (10,000) 65537-gon Megagon (1,000,000) Apeirogon (∞)

~susan lynne schwenger