Wingmaker Information Parallel - Analysis and Critique

Discussion in 'Wingmaker Information Parallel' started by admin, Aug 29, 2015.

  1. admin

    admin Well-Known Member Staff Member

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    Shiloh Za-Rah - Posted Sep 6th 2010

    Dear Friends of the Dragon Logos!

    This forum has always supported the information published by the www.wingmakers.com group in the form of considering this data as a modernized version of the 'wisdom of the ancients' or as the 'perennial philosophy'.
    As can be ascertained from the Q&A discussions on the old Project Avalon Forum (reproduced here in the Thuban archives) however; when asked, I questioned the originality and extrahuman (ET) sources of this material.
    In particular, I addressed the apparent harmony of the wingmakers cosmology with that of the 'Urantia Book', published in a climate of the postwar environment of World War II in 1955.
    The science of the Urantia Book is no longer appropriate, due to the new discoveries made in astronomy and the addition of this new data to the collective human database, often called as Akashic record or the Noosphere of the Human Group consciousness.
    Also the pilosophical structure found of the Urantia Book is highly hierarchical as a reflection of the postwar mentality of the global populus.
    I so wish to state, that whilst I find the subject matter of the wingmakers as highly relevant as a 'Collective Summary' for the say spiritual evolvement of the human groupmind and would recommend discerning this data (as shared on this forum); I do not support the 'personality mystique' and 'quarreling' surrounding this material from any perspective.
    I would consider both, the (highly creative, artistic and intelligent) creators of the wingmakers data (should this be Mark Hempel and/or James and co) and their many detractors (say as Anna Hayes of the Keylontic 'Sciences' and engaged in open forum 'debates' with Kerry Cassidy from the new Project Camelot forum); as being 'compromised' by the PTB.
    The creators of the wingmakers are imo, 'insiders' and the creators of the 'Keylontics' are imo 'fostered inductees' of the Powers-That-Be.


    Tonyblue
    The link below will illustrate the critique of the wingmakers materials in a 'harsher' manner I would assign to it.



    www.wingmakersfiles.110mb.com
     
  2. admin

    admin Well-Known Member Staff Member

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    The WingMakers Files


    Introduction
    Welcome to the WingMakers Files. Here we explore the origins and background of Wingmakers and associated projects, Lyricus, Event Temples and Sovereign Integral and provide a critical appraisal of their aims and content.



    Launch 1998
    The first WingMakers website (launched November 23, 1998 at www.wingmakers.com) was designed by John Poor of Poor Designs, based in Minneapolis. The content was not attributed to anyone, but the name of Mark Hempel was found on copyright notices on the music files.
    Emails sent out to newsgroups by someone calling themselves Mark Hempel described the site as an Immersive Multi Media Art Form (IMMAF) and an elaborate pitch for a film. Shortly afterwards, Hempel, also a resident of Minneapolis, denied that he ever wrote those emails.
    wingmkrs.
    original WingMakers home page
    markhempel. Mark Hempel with WingMakers art

    The premise for the WingMakers story in 1998 had to do with an organization named the Advanced Contact Intelligence Organization (ACIO), said to be a department of the United States National Security Agency (NSA) which had made new scientific and anthropological discoveries of artifacts left behind in time capsules by people called WingMakers from 750 years in the future whose plan was to help the next several generations from the present day to develop a 'global culture'. The website included an interview with a Dr. Anderson, who had decoded artifacts found in a time capsule: philosophical writings, music, graphic art, poems and quartz crystals.
    Although there was no reason not to assume that it was just a multi-media work of fiction, the WingMakers website was widely perceived as a hoax.
    (See: The WingMakers Hoax: More than Proof of Al Bielek's Delusions
    and Wingmakers.com Labeled Hoax... And By The Hoaxer Himself?
    http://www.nexusmagazine.com/articles/wingmakers.html
    http://www.ratbags.com/loon/1999/09september.htm
    http://www.zoominfo.com/people/Hempel_Mark_133168452.aspx
    or search "wingmakers hoax".)
    In 1999, world-famous entertainer, Uri Geller, described WingMakers as 'the most lavish fantasy since the Hitler Diaries has appeared online' and said about the poetry that it 'is the clearest indication of hoaxing - if mankind is still composing grunge like that in 2749AD, we should just drop the bomb now'.
    kerry_cassidy.
    Kerry Cassidy
    incunabula_.
    The Incunabula Papers / Ong's Hat graphic


    An option on the rights for a WingMakers movie were acquired several years ago by Kerry Cassidy of Project Camelot. Further information on the progress of this movie has yet to surface.
    The 'immersive media' concept is one of several themes a hoax known as Ong's Hat/The Incunabula Papers shares with WingMakers. It was perpetrated by Joseph Matheny and friends beginning in the 1980s.
    The word, 'incunabula' which is from the Latin meaning cradle and generally refers to rare manuscripts, is also used throughout WingMakers to signify an elite organization 'concerned with the globalization of monetary channels and vital supplies like petroleum and natural gas'. It is a development of the conspiracy theory that says that a secret society called the Illuminati control the world.

    Re-vamp & changes 2000
    The original WingMakers website (which was at wingmakers.com) was very different to the present one.
    After he had previously stated that the WingMakers materials were the work of a 'WingMakers Collective', when the site was re-launched in 2000, Mark Hempel changed his story. He made the most significant claim that just one person called James was the creator or translator of the materials. Other new additions to the site included the concept of the 'Grand Portal'.
    In 2000, Hempel announced that he had been employed by James only to manage the website. The previous version of the site had just been a holding page to which the new content had been added. However, in the WingMakers FAQ which appeared in 2000, the question is asked 'Where, or from whom, does the material for the WingMakers' materials originate?'
    Hempel replies:
    'In the summer of 1998 I was contacted by a woman who claimed to be familiar with my work..

    She sent me four CDs, which arrived the next day to my office. Within the CDs were nearly a thousand pages of material (text), images (artwork), music files (digital samples), and of course the website, which was virtually intact as it's represented on the web today.'
    Strangely then, it seems he had received the version of the website published in 2000 two years earlier in 1998. He had however gone to the effort of employing John Poor to design another WingMakers site with a totally different design, some similar or identical content and less material. What the purpose of this would be is unclear.
    Many commentators have remarked on the additions to the original content of the 1998 WingMakers website (see WebArchive), notably in articles by Fred Burks, Changes to WingMakers Website and Hard Questions for Mark Hempel and James. As Burks said, the new site had 'taken on an hierarchical flavor' and this was seen to be out of step with the philosophical message of the original site.
    Coinciding with the launch of the newly designed website, the First Source CD ROM was put on sale. Sarah De Rosnay's (an 'art dealer') name replaced that of Anne in the newly named 'Neruda Interviews' (previously just 'Interview Transcripts'). Dr Anderson was replaced by Dr Neruda. Sarah De Rosnay introduced James on the new CD in a Letter of Disclosure:
    'James has created a mythology in order to bring forth an immersive experience that a broader audience can relate to - particularly select people within the next three generations'

    (There is no evidence for the existence of Sarah De Rosnay but another notable de Rosnay is Joël de Rosnay, a futurist and science writer. Another notable Neruda is the Chilean poet, Pablo Neruda. Both these individuals could be considered inspirational in the production of the WingMakers materials.)
    James himself assured his Dear Ones that:
    'While my personality will always seem intangible, know that I am in this disc more vividly than any teacher that has come before to your planet.'

    'I have been here many times before with names you would recognize, but this incarnation is different, and I vow to remain unknown, even fictional.'
    Fictional or not, WingMakers was now earnestly presenting works from the future translated or written by a messiah, according to Sarah De Rosnay. Its target audience was now different to the ufologists and conspiracy theorists who had been attracted to the first version of the site. Much of the controversy surrounding the 'wingmakers hoax' had been quashed by redefining the content of the site as 'myth'.
    The science fictional characterization of WingMakers as humans from the future was elaborated upon. They were now the Elohim and Shining Ones of ancient religious myth.

    shiningones.
    The Shining Ones converse with royalty

    elohim.
    Elohim scripture


    Yet, WingMakers and affiliated websites are far more in the realms of religious fantasy than anything approaching a myth.

    Researchers

    Jeremy Purola's WingMakers research site and Kerry Knight's provided background information on the origins of the materials until around 2001 when both researchers abandoned their projects. Only parts of these sites still remain on the web but anyone so inclined can root around and get a picture of what the public response to WingMakers was at the time.
    A curious email from Mark Hempel to Kerry Knight appeared on Knight’s WingMakers research site circa 2000. That email was re-published at Jeremy Purola's WingMakers research site and subsequently deleted from Knight's (also here). In it, Hempel stated:
    'Imagine further that you had an undeniable mission to get this information out to the public, but didn't want to become visible yourself. In other words, you desired to remain largely anonymous, and not be seen as the co-creator of the information, but rather as a facilitator of the information's distribution.


    Now, imagine that you were aware of a variety of future outcomes for this information and yourself as well, and that one of these outcomes was your assassination. This particular outcome was a direct consequence of your public appearance as the creator of this information.'
    'I know there are those who would assert, "Aren't you creating chaos of the truth?" To which I would respond, "Truth is already in chaos. It lives and breathes, and waxes and wanes. It is not static, sitting upon a higher dimensional 'shelf' collecting dust. Therefore, it is in chaos and is quite comfortable in uncertainty. It is time to train the human mind to this reality."'

    Credit goes to Jeremy Purola and Kerry Knight for the research they carried out as it has been useful in providing leads for the current research at The WingMakers Files.

    Defunct offshoots
    Since the original wingmakers.com in 1998, affiliated websites have been developed at lyricus.org, eventtemples.com, sovereignintegral.org, all of which are copyright Mark Hempel of WingMakers LLC. But along the way, some other associated, short-lived projects began and were eventually abandoned.
    Two images of ordinary quartz crystals were originally given two pages on the first version of the WingMakers site and labeled 'artifacts'. Oddly, these were deleted from the site early on, but then around '0o-'01 Mark Hempel started another website for the sale of crystals called CrystalMap.com. The announcement was made that
    'Mark Hempel founded CrystalMap.com as a result of a chance encounter with a mysterious teacher. This teacher (who prefers to remain anonymous) is responsible for the content on the WingMakers.com website, and has taught Mark many of his techniques for selecting and applying quartz crystals for spiritual transformation.'
    Again, John Poor's services were enlisted for the design of CrystalMap.com. It does not appear to have been successful as a business.

    crystalmap. CrystalMap graphic
    artifact3-copy. WingMakers 'artifact'

    A short time after that, a document appeared at wingmakers.com called 'The Science of Conscious Co-Creation'. A member of the WingMakers forum had posted the link. It appeared to be a new addition to the WingMakers material but once it had been pointed out, it was deleted.
    Mark Hempel explained in what was now becoming a typically oblique manner that the article had been uploaded for a potential client who wanted to see what a web page might look like. It had nothing to do with the WingMakers project, even though the layout was the same as WingMakers web pages. Why a web designer would upload a page for a client that looks exactly like a web page for an unrelated website does not seem to make sense. There does not appear to be any point to it.
    The original html file of 'The Science of Conscious Co-Creation' was copied and re-posted to the internet (also here).
    Around the same time, Hempel formed a now seemingly defunct marketing consultancy firm called ‘Elluminati’ with Mike Koenigs, an internet-marketing guru whose clients have included New Age hucksters such as Louise Hay, Anthony Robbins, Gregg Braden and Deepak Chopra.
    Mark Hempel is a marketing expert with clients that have included the US Department of Defense, American Express, Microsoft and an organization known as the Institute of HeartMath®, which sells stress-reduction gadgets and has been highly recommended by James on a few occasions. He was also a founder of NetRadio, the world's first Internet-only radio network in 1994.
    mikekoenigs.
    Mike Koenigs

    Images and music
    There is no record of WingMakers 'paintings' being exhibited in any art gallery. There is no information as to their dimensions, medium or location other than the obscure and somewhat laughable statements that they
    'were produced on a stone substrate. They are not painted -- there are no visible brush strokes. It's not known for certain how the paint was applied' and that they 'are translations of the real paintings. The original works reside within the Tributary Zone near the galactic center of the Milk Way galaxy.'
    (See: James: Questions and Answers Responses from James - Session 3 and Chamber Paintings Introduction)
    The digital images, that is, .jpgs of the so-called ‘paintings’ included illegible signatures that were later removed. Nothing much can be deduced from this. It is just another anomaly amongst several surrounding the WingMakers materials.

    ch4a.
    ch13a.

    ch21a.

    ch15a.
    signatures on .jpgs
    fifteenphoto.  

    The above image of the character called 'Fifteen' from the WingMakers story was presented at wingmakers.com as having been taken in 1978. It is in fact just a stock image available for public use, as are several of those found on the site.
    emilychamber.
    The image to the left is presented on the WingMakers website as being a photograph of a student of James posing before one of the WingMakers 'paintings'.
    To anyone familiar with Photoshop software this image is very obviously a composite produced by Photoshop or a similar graphics program.
    WingMakers images are influenced by Picasso, Matisse, Gauguin, Kandinsky et al. They could be classed as ethnic-style, decorative/naive Visionary Art at the level of an art school entrant. As is common in New Age circles these images also involve the re-appropriation or hijacking of native American culture in the form of pseudo-Amerindian rock art or petroglyphs.

    anasazi.
    WingMakers Amerindian graphic

    amerindian.
    Amerindian art

    amerindian2.
    Amerindian art

    wmpch1.
    WingMakers 'painting' 'Chamber 1' original version

    wmpch1new.
    WingMakers 'painting' 'Chamber 1' updated version


    The most striking thing about WingMakers so-called 'paintings' is their incandescent colors. However, the original 1998 .jpgs were far less colorful than they became once they were put on sale as prints in 2000. This could be because the colors were computer-enhanced or just that better photographs were obtained. It is not possible to to find out.
    It is also impossible to fully appreciate works of art as paintings when the artist does not make the work available for public viewing as actual paintings but only as computer graphics and prints.
    charlottemarie.
    Charlottemarie
    charlottemariewingmakers.
    WingMakers Portal Painting - Anazasi Woman / Charlottemarie

    WingMakers graphic art appears on a few CD covers of the SoulFood independent music label that specializes in New Age, World and Chill Out/Lounge genres. Musicians on that label also played on music recordings sold through wingmakers.com, including vocalist and disciple of the 3HO cult, Charlottemarie. Charlottemarie bears a strong resemblance to the 'Anazasi Woman' depicted in a WingMakers 'portal painting'. Mark Hempel had performed on a track called 'Evolution' on the Extreme soundtrack of the film dealing with extreme sports, as had Gordy Schaeffer AKA Soulfood. Hempel's Elluminati colleague, Mike Koenigs, played didgeridoo. A company known as Shout Music apparently produced music for the First Source CD. Unlike most other music, WingMakers music is never performed live but it is said that James developed the music CDs 'to enhance the experience and understanding of his philosophical writings and poetry'. WingMakers-associated music products are all a type of self-help therapy, stress-management or New Age muzak for which pseudoscientific claims are made. The WingMakers and associated websites show an innovative use of integrated web-based multi-media, but the visual art, music, poetry and stories are on their own terms unremarkable. The so-called myth of WingMakers and the persona of James as spiritual teacher gives them a certain mystique perhaps, but they have no independent artistic credibility or inherent cultural meaning as works of art, music or literature. They merely serve to enhance James' philosophy and make it seem more colorful, quirky and entertaining. James' sensory data WingMakers may just be a bit of online 'mythical' entertainment. Yet the ideas contained in James' 'sensory data', in interviews such as with Kerry Cassidy or Regina Meredith and on all the associated websites such as Event Temples, are designed to create a specific effect. This is achieved primarily through the vehicle of the persona of James. James appears as a remote otherworldly personage with a 'dominant reality', a spiritual teacher or cosmic avatar with another name, 'Mahu Nahi'. 'In my dominant reality, I am known as Mahu Nahi. I am a member of a teaching organization whose roots are very ancient, but paradoxically, very connected with humanity's future.' 'I am able to translate art, music, poetry, philosophy, and scientific insights that are from my dominant reality into yours.' -- WingMakers Creator Q & A: Session 1 He claims that he is anonymous so that his personality does not interfere with his message, yet he is a recognizable personality identified with the promotion of WingMakers, Event Temples etc. even if only online and without visual representation. Although wingmakers.com describes him as 'Creator', James says he is not the creator of WingMakers, just as the texts described as 'Philosophy' he says are not philosophical texts but 'encoded sensory data streams'.
    The seven Tributary Zones, which we will call collectively, the WingMakers' material, are not philosophical texts. There will be the temptation by some to compare these writings to the Bible, Koran, The Urantia Book, Ascended Master instructions, and on and on. There will be others who will compare the information contained in the interviews and book to the nonfiction works of investigative journalists. Comparison of the WingMakers' materials will not necessarily result in understanding, but more likely, confusion. James: Questions and Answers Responses from James - Session 2 It is a rather far-fetched notion that anyone would compare WingMakers writings to the Bible or the Koran, for obvious reasons. However, they can not only be compared with the Urantia Book and Ascended Master teachings, they can be said to be an extension, reinterpretation of, or development on from them. The historical precedents for James' ideas stand out far more than any apparently original content, which is only a re-wording of standard concepts found in esoteric religion in any case. Only someone totally unfamiliar with the philosophy of the New Age Movement would think otherwise. The most obvious is the character of James himself; yet another version of a lofty, semi-fictional 'spiritual master' from a hidden teaching order, the likes of which are commonplace throughout occultism, esotericism and New Age philosophy.
    James supports the idea that there is a 'White Lodge', 'Great White Brotherhood' or 'Hierarchy of Masters' which is 'physically incarnate'. Mark Hempel himself put forward the idea that James may be a Theosophical Master of the White Lodge or Ascended Master, possibly an incarnation of Francis Bacon, St. Germain or the Master Racokzi. See: http://groups.yahoo.com/group/Wingmakers/message/421 These are personages said to be 'Masters of Wisdom' belonging to a 'Hierarchy of Spiritual Masters', an 'inner government of the world' working behind the scenes to influence human affairs, as promoted by H. P. Blavatsky, re-interpreted by Alice A. Bailey and the Lucis Trust and again by Elizabeth Clare Prophet and her apocalyptic Church Universal and Triumphant, Guy Ballard and his wife Edna's fascistic 'I AM movement', and many others. The same ideas were again re-appropriated in a UFOlogical fashion by the likes of George Adamski, George King of the Aetherius Society and various UFO cults. H. P. Blavatsky and Alice Bailey are both credited with having coined and popularized the term, 'New Age'.
    blavatsky_masters.
    Helena Petrovna Blavatsky with 'Ascended Masters'
    urantiabook.
    The Urantia Book

    The WingMakers First Source CD introduced a character called ‘Mantustia', a teacher of the Lyricus Teaching Order (which is said to exist 'within WingMakers') and described by James as
    'an ascended master who is a remarkable entity of planetary significance to Earth’
    'He is a master’s master of the most esoteric order within Lyricus that develops discourses, instructional methodologies, and experiential learning environments within the human genome.' -- Questions and Answers Responses from James - Session 3

    The Vision of Mantustia is a cliche of a channeled message from an Ascended Master, the likes of which are a dime a dozen in New Age circles:
    'I am known as Mantustia of the Divine Counselors, dwelling within the abode of the WingMakers. I reveal my vision willingly and with the full knowledge that it will touch the minds and hearts of those it is intended. As the words are formed they are bearing on you - their reader - even as you stir in worlds unimaginably distant. . . ' (etc . . .)
    Hempel wrote in a message to Kerry Cassidy at http://tech.groups.yahoo.com/group/prepare4contact/message/18410:









    'The people who are the real aficionados of the WingMakers and Lyricus materials are generally coming to the materials from a different approach than conspiracy and UFOs. They are metaphysical students who have made serious study of works like The Urantia Book and Alice Bailey’s works. Many people from this category believe James is Master P as related in the Alice Bailey materials.'
    alice-bailey.
    Alice A. Bailey

    annie_besant_and_charles_le.
    Annie Besant and Charles Leadbeater

    Alice A. Bailey was an aristocrat from Manchester, England, whose husband was an ardent 32° degree Freemason. She claimed to be the secretary of a superhuman 'Master of Wisdom' (or 'Ascended Master') from Tibet called Djwhal Khul who communicated with her telepathically. Her writings are based on those of H. P. Blavatsky, as well as works by Charles Leadbeater and Annie Besant of the Theosophical Society.
    In Questions and Answers Responses from James - Session 3 James discusses issues raised by the works of Alice A. Bailey such as that:

    'It may surprise you to learn that DK (during the time of his transmissions to AAB) was not aware of these extra-galactic contacts of the Lyricus and 7th universe central race other than by myth. So, by his omission, it is assumed that he was of the opinion they did not exist. He simply didn’t know about Lyricus because it was outside of his mission objectives. His work required more focus, and when you open up this “can of worms” (Grand Multiverse Hierarchy) you need to assemble a team to disclose this information because it is too broad and deep for one personality to attempt to disclose (hence the nature of authorship of The Urantia Book).'
    Of course, Alice A. Bailey could not have heard of Lyricus because she died in 1949 and the Lyricus website did not appear until the 21st Century. Still, James' commentary suggests that he regards the works of Alice A. Bailey as having some measure of credibility.
    James also writes:
    'The Avatar of Synthesis is intimately involved in the Lyricus objectives, knowing that the Grand Portal and the return of Christ Consciousness galvanize and make durable the One Humanity and One World consciousness.' -- James: Questions and Answers Responses from James - Session 3









    'The Avatar of Synthesis is a term often used, if not actually coined by Alice A. Bailey. 'The Avatar of Synthesis' is said by Bailey to have merged with the identity of Maitreya, otherwise known as The Christ or World Teacher.
    The Grand Portal, said by James to be future 'irrefutable' scientific proof of the human soul (and 'The Christ'), and the return of the Christ consciousness and the 'One Humanity' or 'One World consciousness' are all integral to Alice A. Bailey's concept of the New Age.

    John Berges, a proponent of the works of Alice A. Bailey now employed by WingMakers LLC to write for Event Temples where he is described as 'a gifted practitioner' interprets James' ideas sometimes in a way which appears to be directly in relation to Alice Bailey's. He and his wife Darlene are probably the most publicly known individuals apart from Mark Hempel to actively promote James' message, and they do so with official approval. The Berges make the following unfounded statement on their website:
    'Through many years of study, we have come to believe that there is a largely unrecognized relationship existing between humanity and a group of trans-humans. These teaching Brotherhoods are planetary and cosmic.'
    This of course refers to the Lyricus Teaching Order and/or the Theosophical Hierarchy of Spiritual Masters. Despite the supposedly mythological nature of WingMakers concepts, John and Darlene Berges continually refer to them in reverent terms as though they were scientific fact or spiritual truth.
    See http://www.planetworkpress.com
    john-berges.
    John Berges

    The idea of planetary and cosmic teaching brotherhoods is a standard convention in esoteric circles; it is part of what is known as the 'Ageless Wisdom'. John Berges wrote that 'WingMakers written material, excepting the poetry is a natural extension of the ageless wisdom'.
    The 'Ageless Wisdom' is integral to the New Age Movement. James has said that WingMakers content 'is disconnecting people from the established fabric of the "New Age" and acquainting them to new energies that are present within themselves, not the "New Age"'.
    Yet he discusses the Urantia Book, extraterrestrials, 2012, the Shining Ones, DNA activation, the Yoga Sutras of Patanjali, Jesus (who he says is a member of the Lyricus Teaching Order), the World Teacher, metaphysics, Remote Viewing, chakras, the Christ, the Galactic Federation, the Eternal Watcher, Zeti Reticuli, teachers of light, ascended masters and so on and so forth; all of which are standard New Age subject matter. He promotes ideas such as that all existence derives from one source of divine energy, and that everything is universally connected. He talks about energy fields and personal transformation by means of guided imagery and meditation that will ultimately help bring about global transformation. He promotes 'positive psychology' and quantum mysticism including the notion that thought creates reality. He discusses multidimensional reality and multidimensional beings. He claims to be a reincarnation of famous historical figures. All the WingMakers associated music would only ever be classed as New Age Music.
    The only thing that distinguishes James' writings from New Ageism is the invented terminology. He attempts to redefine the accepted conventions by altering the terminology. What was 'Spirit' now becomes 'Source Intelligence', 'The Soul' is now called 'Sovereign Integral', God becomes 'First Source', the 'Masters of Wisdom' get superseded by an even higher order of galactic super beings, the Lyricus Teaching Order; and so on.
    James claims that WingMakers is unique, incomparable and unlike anything before on earth. But the Ageless Wisdom always does involve what is said to be unique, incomparable 'revelatory' reading material. It very often is supposed to originate from an unseen, yet ancient organization of cosmic teachers that influence human affairs from afar. There usually is the prophecy of a future Golden Age. All of it is just the assertion of established New Age cliches and esoteric religious fantasy masquerading as authority without any basis in fact.
    Nearly all esoteric and New Age ideology attempts to integrate scientific concepts with religious or spiritual philosophy and looks towards a future when everyone is living as 'souls'. The Grand Portal, said to be the future 'irrefutable' scientific proof of the human soul is the same as The Kingdom of God on Earth, same as Christ, same as the New Age in Alice Bailey's writings. The time of the Grand Portal is said to trigger 'the Return of the Masters to explicit influence and exoteric roles', a theme central to 'The Externalization of the Hierarchy' (Alice Bailey, 1957, Lucis Trust).

    In outlining 'the work of the new age seed groups' in 'The Externalization of the Hierarchy', Alice Bailey wrote in 1938 of 'the work of the seventh group, which is in the field of science':
    ' ... that such a group cannot be formed until a certain scientific discovery has been made of such moment that our present scientific inhibition in recognising the fact of the soul as a creative factor, will disappear. This discovery will be part of the acknowledged "facts of science" by the year 1975.'
    James prophesizes in Creator Introduction that the soul will be a fact of science by the year 2080. John Berges wrote in '02 for Esoteric Astrologer:
    'What is being elucidated by James today through the WingMakers material was hinted at by Djwhal Khul through Alice Bailey many years ago.'









    Djwhal Khul is just another Ascended Master of the esoteric religious masquerade as described not just by Bailey but by numerous fraudulent and delusional channelers, psychics and Theosophical writers of the 20th-21st Centuries.
    As regards 'A Treatise on Cosmic Fire' written by Alice Bailey in 1925, James remarks that 'its prolific use of the Eastern esoteric terminology provides a barrier to the Western mind, something that The Urantia Book does not. This is not a criticism of Cosmic Fire, but it is one of the reasons that the readership of The Urantia Book is more widespread than A Treatise on Cosmic Fire.' -- James: Questions and Answers
    Responses from James - Session 3

    alice_bailey_books.
    Alice Bailey books
    tibetanodjwhal%20khul.
    Djwhal Khul

    In 2000, Mark Hempel wrote about WingMakers in an email:
    'I've spent the last two years searching this stuff out, and I haven't found anything that's particularly similar to this. The closest I've found is from a book called the Urantia Book, which also has mysterious origins as I understand it.'
    And James acknowledges what he sees as the significance of the Urantia Book: ‘Within this galaxy, the cosmology presented in The Urantia Book is considered one of the two best depictions of the structure of the Grand Universe. (The book referred to in the Ancient Arrow Project, Liminal Cosmogony, is considered the other.) It so happens that the WingMakers’ material is not based on this depiction, but rather it is based on the reality of the physical Grand Universe, which happens to coincide with the view held by The Urantia Book.’

    urantiauniverse-. Master Universe map of Urantia
    The Urantia Book (published 1955) is supposedly written by super-beings from heaven and deals with eugenics and 'racial purity'. It is a kind of science-fictional bible, a work of plagiarism peppered with ideas taken from Seventh-Day Adventism and elsewhere. See: Some Human Sources of the Urantia Book, The bible of eugenics and Urantia: The Great Cult Mystery. Some commentators have suggested that the Urantia Book in turn may possibly have been inspired by Oahspe A Kosmon Bible in the Words of Jehovih and his Angel Embassadors by John Ballou Newbrough written in 1882. In the early days of Urantia, some followers of the Oahspe Bible tried to get Urantians to change allegiances.
    oahspeplate. Oahspe Bible plate 13

    James says that in his 'dominant reality' he is known as 'Mahu Nahi' (anagram of ‘a hi human’), which is 'the ancient name of the Avatar', 'revered and holy', but









    'Despite what Sarah wrote and believes, I am not a messiah.' - 'Dear Ones' [Letter from James]
    Yet, an Avatar is just another name for a messiah. It means the same thing, an individual human incarnation of the Supreme Being occurring at a pivotal moment in human history. If he did not want to be regarded as a messiah, then there would be no reason for him to publish someone else's statements describing him as such. By choosing to do so, he deliberately promotes the idea that he could be misconstrued as a messiah.
    Maybe such a person would not want to be regarded as a messiah because of unwanted associations with the Judeo-Christian tradition. Therefore, calling himself an 'Avatar' might be preferable, as it pertains to the incarnation of a Hindu deity, or a quasi-theosophical master of the universe in human form. An avatar is also an assumed identity in a computer game or internet chat room, which would not be inappropriate in the context of the WingMakers pseudo myth.

    mahu_nahi_avatar_.
    from the 'First Source' CD

    James makes himself answerable to no-one. His online persona projects the image of an aloof spiritual master-prophet, appealing to basic, if not outmoded, standards and conventions in esoteric religious philosophy, channeling and occultism.
    While he claims to seek anonymity, James deliberately projects an identifiable verbal image of himself. If he truly did not want his personality to interfere with his message, then he would anonymously release material that would not include references to himself as any persona, author, creator or translator whatsoever. Apparently, references to James are in order to conjure up the semblance of such a persona in the traditional manner of a master or teacher of esoteric religion. Otherwise, they appear to serve no function at all.
    If James wanted to remain anonymous then handing copyright over to someone else would not be necessary. A person who does not want to be identified can retain copyright by use of a discreet pseudonym. No creative person in his or her right mind would ever let their web manager own the copyright on their work, yet Mark Hempel, who claims to be just the web manager, owns the copyright on all WingMakers materials.
    avatar.
    a spiritual master

    There is no evidence for the existence of characters in the WingMakers story such as Sarah De Rosnay, Dr Neruda or Fifteen, just as there is none for sci-fi sounding concepts such as Blank Slate Technology. Do WingMakers paintings exist in another realm of the galaxy called a Tributary Zone? Can WingMakers music raise one's vibrations? Will there be irrefutable scientific proof of the soul within 70 years?
    There is no evidence, but evidence does suggest that Mark Hempel is involved to a far greater extent than simply being the web manager.
    The audio interviews with James conducted by Mark Hempel add to the overall allure of the James persona, but they tell us very little, other than to expand upon typical New Age frippery like 'multi-dimensionality', 2012 and so on. Hempel states that on his recording of James' there is 'some breaking up of his voice from time-to-time'. Actually, there is nothing of the sort, but as numerous listeners have noted, an audio effect has been added. Some have suggested that Mark Hempel has interviewed himself trying to speak in a Spanish accent with the addition a pitch change audio effect on the voice, others that he hired an actor to play James. Both Hempel and James' voices are as softly-spoken as each other, which does seem unusual.
    Mark Hempel's voice can also be heard on numerous WingMakers-associated recordings. For example, Ancient Arrow Chamber 8 'Temptress Vision': 'another mouth, another hand, another mind open', Chamber 10 Part II: 'tell me the truth now', Grand Portal: Solitonic Transmissions: 'something is going to happen, something wonderful' and at these web pages: http://www.wingmakers.com/vastnesshint.html, http://www.wingmakers.com/mapmaker.asp, http://www.wingmakers.com/remember.asp, http://www.wingmakers.com/self.html
    Hempel’s vocal contribution were part of the voice scripts from the original songs as posted to the internet in November 1998. This suggests that Mark Hempel may have been involved in pre production of the Ancient Arrow music prior to their public airing, and did not, as he claimed, just receive the website materials out of the blue from a previously unknown source.
    His voice features most prominently on all the Event Temples guided meditations. Via the Event Temples website, participants meditate in unison to somehow try to direct ‘light energy’ to areas of catastrophe or deprivation in the world. This kind of practice and variations on it have been commonplace amongst the New Age community for many years, but there is no evidence that they could be of any more use than praying in a church. Again, it seems strange that James, who is supposed to be the driving force behind Event Temples, would leave the job of leading these meditation sessions to his web manager, but perhaps these are 'Hempel's Events' after all.









    Hempel's biog on the list of members of the Advisory Board of the Global Coherence Project, which was launched by the Institute of HeartMath®, suggests that the website representing his work is at www.wingmakers.com, which yet again implies James could possibly be his alter-ego; at least that he is far more than just the web manager.
    WingMakers and associated websites may just be vehicles for the creative works of a self-styled artist/philosopher/prophet of 'mythical' proportions who promotes himself as an exalted and divine contemporary spiritual teacher of humankind. But outside of the confines of the New Age Movement, anyone who puts themselves in that position inevitably invites suspicion, ridicule and accusations of being a con-artist.

    Inspirations or plagiarism
    Da Vinci is the name of the font used for the WingMakers trade mark. Graphics made out of images of drawings by Leonardo Da Vinci appear both on wingmakers.com and Event Temples websites.
    Amongst the WingMakers music CDs are the 'Hakomi' series of recordings. Hakomi is a form of psychotherapy begun by Ron Kurtz in the 1970s.
    In WingMakers/Lyricus can be found the acronym 'MEST',which stands for 'matter, energy, space and time', a term coined by the notorious L. Ron Hubbard for his militaristic, mind-bending sci-fi cult, Scientology.
    When the WingMakers website was re-vamped in 2000, the term 'First Source' appeared to replace the previous 'Prime Creator'. Barbara Marciniak 'trance channels a collective of multi-dimensional beings from the Pleiades' and has been writing about 'Prime Creator' since 1992. In the Ancient Arrow Project Overview, the WingMakers are said to have originated from the star system Pleiades.
    The Ancient Arrow Project is the code name given to the WingMakers' time capsule. Amerindian imagery appears throughout WingMakers graphic art. Henry Wadsworth Longfellow, the American poet born in 1807, made the names Hiawatha and Minnehaha famous in his poem of Amerindian legend, 'The Song of Hiawatha' and that poem includes another character called the 'ancient arrow-maker'. The Hiawatha neighborhood is located in Minneapolis as is Minnehaha Falls. Perhaps it is just coincidence that WingMakers LLC, Mark Hempel are also located in Minneapolis.
    In the Teachings of the Temple, published in 1925, Temple of the People, another outlet for the Ageless Wisdom esoteric religion, attributed mainly to the Master Hilarion but also other members of the Great White Lodge, is the following:
    'The outlines of the government of the United States were taken from the aborigines, the "Six Nations" of Indians. Those laws were given to the Indians by Hiawatha, an Agent of the White Lodge. The ancient Peruvians, the Atlanteans, and many other races and nations were taught and governed by the same laws.' (from 'Building in Accord with Natural and Divine Law')

    hiawatha.
    Hiawatha painting by Harold Forgostein


    da_vinci_eventtemples_com.
    Da Vinci font and Event Temples graphic


    mest.
    L. Ron Hubbard



    barbara.
    Barbara Marciniak

    In James' interview with Kerry Cassidy of Project Camelot he attempts to re-contextualize the whole history of spiritual philosophy by consigning all previous versions to what he calls a ‘God-Spirit-Soul Complex’ and lauding his own concept of the 'Sovereign Integral' over and above them. He promotes pseudo historical myths, intelligent design and crackpot ancient astronaut theories and uses them as a hinge upon which to communicate ideas about spirituality. He employs a mode of expression he had never used prior to that interview, which coincided with the launch of the Sovereign Integral website in 2008. At present that site has only has two pages of graphics. The index page shows a comic book super-hero figure with a transparent winged head and computer circuit board skin, and the other page a chakra diagram typical of esoteric religion.
    It has been noted by several commentators that all the ideas and mode of expression used by James in his interview with Kerry Cassidy of Project Camelot appear to have been derived entirely from key points found in Bernard Poolman’s Desteni Productions of South Africa which began on the internet in 2007.
    The Human Mind System in the Project Camelot interview = Mind Consciousness System in Desteni, Money Power Grid in the PC interview = the Money-System in Desteni, Polarity System in PC interview = polarity-system in Desteni. The White Light and the Soul Construct in Desteni is similar to the God-Spirit-Soul Complex in the PC interview. The World System in Desteni corresponds with the Collective System in the PC interview.
    Both Desteni and James' Project Camelot interview recommend the use of the same 4-count or 'Quantum Pause' breath technique, repeatedly refer to the world as a prison and repeatedly use the word, 'system' to describe various near-identical political or spiritual concepts. Both refer to Mesopotamian religious mythology and ancient astronaut theories as described in the works of Zechariah Sitchin, David Icke and Xee-A Twelve as if they were factual, both reject channeling and ascension etc.; none of which had ever been discussed by James before that interview.

    ‘The silence that is you’ is a term used in James' interview with Kerry Cassidy to refer to the Sovereign Integral, ‘the true Self that is infinite and eternal’, and is a central focus of the interview. 'The silence that is you' is referred to throughout and is a central focus of the Desteni group process.

    The first paragraph of the Wingmakers First Source Transmission titled ‘My Central Purpose’ reads:
    The blueprint of exploration has an overarching intention; you are not the recipients of divine labor and meticulous training only to ensure that you may enjoy endless bliss and eternal ease. There is a purpose of transcendent service concealed beyond the horizon of the present universe age. If I designed you to take you on an eternal excursion into nirvana, I certainly would not construct your entire universe into one vast and intricate training school, requisition a substantial branch of my creation as teachers and instructors, and then spend ages upon ages piloting you, one by one, through this enormous universe school of experiential learning. The furtherance of the system of human progression is cultivated by my will for the explicit purpose to merge the human species with other species from different universes.
    which is almost exactly the same as the second last paragraph of the Urantia Book Paper 48, The Morontia Life:
    The mortal-survival plan has a practical and serviceable objective; you are not the recipients of all this divine labor and painstaking training only that you may survive just to enjoy endless bliss and eternal ease. There is a goal of transcendent service concealed beyond the horizon of the present universe age. If the Gods designed merely to take you on one long and eternal joy excursion, they certainly would not so largely turn the whole universe into one vast and intricate practical training school, requisition a substantial part of the celestial creation as teachers and instructors, and then spend ages upon ages piloting you, one by one, through this gigantic universe school of experiential training. The furtherance of the scheme of mortal progression seems to be one of the chief businesses of the present organized universe, and the majority of innumerable orders of created intelligences are either directly or indirectly engaged in advancing some phase of this progressive perfection plan. -- The Urantia Book Paper 48, The Morontia Life, 8. The Morontia Progressors

    The Urantia symbol is used in WingMakers Chamber 'painting' 18.
    The Theosophical works of Helena Petrovna Blavatsky, which set the stage for the contemporary New Age Movement with its promotion of the 'Masters of Wisdom', who James says will return at the time of the Grand Portal, were shown to be plagiarized. See The Sources of Madame Blavatsky's Writings by William Emmette Coleman.

    urantia_wingmakers.
    Urantia logo and 'Chamber painting 18'
    Wikipedia deletions The question arises as to whether or not in over a decade WingMakers and associated projects have had any meaningful influence in the public sphere. Not according to Wikipedia. The original Event Temples Wikipedia page was linked to the eventtemples.org website when it was first launched. It had clearly been put there by someone working for eventtemples.org to try and give Event Temples an aura of eventfulness and public acceptability. Lyricus, WingMakers and the Event Temples pages at Wikipedia, having been deemed patent nonsense, blatant advertising and non-notable websites, were all deleted in 2008. The websites in question may very well be patent nonsense, blatant advertising and non-notable, but they are aimed at people who will be receptive to them. Such individuals should already be familiar with or would be interested in concepts such as the Lyricus Teaching Order, 'an unimaginably large organization with substantial influence and authority', online group meditations to heal the world, as well as the notion of scientific proof of the soul. What is the purpose of believing in such things? It would be expected that anyone who wishes to find out should hear it from those who have published their feelings or ideas about WingMakers having taken on the general idea as a way of life. These are the people who regard themselves as 'Sovereign Integrals'. Forums and groups The unofficial Yahoo WingMakers forum was started in 1999 by cofounder of the Nanotechnology group, NanoComputer Dream Team, Doug Bard. While it does contain some historical data regarding how WingMakers has been perceived over the years as well as some of the messages quoted here, there is little of any substance. Groups such as Wingmakers for Humanity and the New Zealand based http://www.wingmakers.co.nz appear to be inspired by WingMakers. They use some of the same terminology, but seem to be a reinterpretation or bastardization of the original WingMakers materials without any real connection. There have been two previous officially-sanctioned English-language WingMakers forums, an infopop forum from '01 to '02, and a zeroforum from '02 to '05. Both contained intelligent and reliable research discussions, but were unceremoniously deleted by Mark Hempel without warning. This may be because these forums increasingly presented more critical commentary and background information to do with the origins of the WingMakers websites of the sort described in this article. James has never participated in any forum discussions but Hempel at one time wrote to members of the WingMakers zeroforum: 'I’m going to take the initiative every month or so and write an Open Letter to the WingMakers’ community at large'. There were only four or five of these 'Open Letters' before he gave up for no apparent reason. See: http://groups.yahoo.com/group/Wingmakers/message/510 After the deletion of the WingMakers zeroforum, many of the regular members did not go on to take part in the present UK-based WingMakers forum. Those who did soon left or were banned. At present it contains mainly patent nonsense, blatant advertising and non-notable information. Apart from the daily cultic repetition of WingMakers text, much of the discussion there is characterized by ongoing personal recrimination between members and vacuous debate about the correct interpretation of James' words. Conclusion WingMakers, Event Temples, Lyricus and Sovereign Integral websites and associated products exist to present the work of a self-proclaimed reincarnating messiah or avatar-prophet. They are the outpourings of a self-appointed esoteric religious authority that is asserted with the aim of gaining influence by involving its target audience in its own fantasy about itself and the world. This comes in the form of the persona of James, who perpetuates a concoction of cliches, plagiarisms, religious fantasy, misinformation and lies in the form of entertainment, fake mythology, art products or simply 'data'. He utilizes an invented terminology that sounds like science fictional conspiracy theory, computer software instructions, self-help psychology or pseudoscientific New Age psychobabble. Yet Mark Hempel is the only central identifiable real person directly associated with the creation and publication of these projects. Evidence shows that his involvement is far beyond anything he has admitted to in public. The officially-sanctioned statements of John and Darlene Berges as well as those of others such as Teka Luttrell confirm that they believe studying the work of James and the Lyricus Teaching Order should be taken seriously as a valid spiritual activity. Just as there is nothing to substantiate the outlandish claims of 'James', there is no evidence to demonstrate that anyone has benefited from them, except in so far as they slavishly repeat the same information and show that they subscribe to a general New Age woo-woo ideology. In this article we have attempted to throw some light on the esoteric religious masquerade. It is a tradition to which WingMakers belongs. For a long time it has been an arcane alternative to conventional religion, yet just another way of manipulating people into upholding a mirage of spiritual authority. The intention behind WingMakers may possibly be sincere and towards the betterment of humankind, but we are of the view that this is probably because of mistaken idealism and false conditioning on the part of those responsible. We refute the idea that the WingMakers, Event Temples, Lyricus and Sovereign Integral projects are of any use to anyone. They will tend to lead towards a worthless subjective preoccupation with pseudoscience and esoteric religious dogma and delusion. As such, they should be understood for what they are: false and misleading.
    Gary & Siobhan 2010

    If anyone has relevant information to include in this website, please email us at: wingmakersfiles [at] gmx [dot] com The content of this site may be reproduced anywhere provided a link back to it is supplied: www.wingmakersfiles.110mb.com >>> download this page as a .pdf for offline reading UFOseek.com - UFO paranormal Directory, Community and News. Thanks to Jeremy Purola and Kerry Knight, Ivan R,. Jarq and all other WingMakers researchers
     
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    admin Well-Known Member Staff Member

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    Dukkej - Posted Dec 1st 2010

    Appreciated the study....clearly a lot of time and work was put into.....would like to know what led you to the conclusion that the yahoo group Wingmakers for Humanity was inspired by them ?

    Dukkej - Posted Dec 1st 2010

    Life Principles of the Sovereign Integral

    The entity model of expression is designed to explore new fields of vibration through biological instruments and transform through this process of discovery to a new level of understanding and expression as a Sovereign Integral. The Sovereign Integral is the fullest expression of the entity model within the time-space universes, and most closely exemplifies Source Intelligence's capabilities therein. It is also the natural state of existence of the entity that has transformed beyond the evolution/saviorship model of existence and has removed itself from the controlling aspects of the Hierarchy through the complete activation of its embedded Source Codes. This is the level of capability that was "seeded" within the entity model of expression when it was initially conceived by First Source. All entities within the time-space universes are in various stages of the transformational experience and each are destined to achieve the Sovereign Integral level as their Source Codes become fully activated.
    The transformational experience is the realization that the entity model of expression is capable of direct access to Source Intelligence information, and that the information of First Source is discovered within the entity level of the Sovereign Integral. In other words, the human instrument, complete with its biological, emotional, and mental capabilities, is not the repository of the entity's Source Codes. Nor is the human instrument able to reach out and gather in this liberating information -- this glorious freedom to access All That Is. It is the entity that is both the harbor of, and instrument of access to, the Source Coding activation that permits the transformational experience to manifest through the integration of the human instrument and the sovereign entity

    Post last edited Dec 1st 2010
     
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    admin Well-Known Member Staff Member

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    Shiloh Za-Rah - Posted Dec 2nd 2010


    Dukkej - Posted 16 Hours Ago

    Appreciated the study....clearly a lot of time and work was put into.....would like to know what led you to the conclusion that the yahoo group Wingmakers for Humanity was inspired by them ?


    Hi Dukkey!
    To answer your question, I need to know of what group you are talking about. There are many wingmaker groups on yahoo and elsewhere. I moderate and own a number of such groups; one named Wingmakers Australia.
    I am no follower of any such group, not even a supporter. I was refused (perhaps on technical grounds) membership on the UK wingmakers group and none of my emails sent to the parent website (via Mark Hempel) was ever answered.
    I did however support much of the cosmology as represented by the James individuation but with the stated proviso (and it is a rather big caveat on my behalf); that James has based his 'universal hierarchies' on the Urantia Book., which imo is highly disinformative and based on an outdated scientific understanding constructed during and following the Second World War.

    Tonyblue


    Post last edited Dec 2nd 2010
     
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    Dukkej - Posted Dec 2nd 2010

    Hi Tony....the one that is called WingmakersforHumanity on yahoo.....
     
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    Shiloh Za-Rah - Posted Dec 4th 2010



    Thanks Duke; one day i may check it out lol.
    Tonyblue
     
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    Dukkej - Posted Dec 4th 2010

    I wish you would Tony.....its a toss up to who ...her or Anna Hayes to who is more anti Wing Maker.........might be a good idea before you do,,,,to ask Serafina about this group as she like myself is an ex member....both being excommunicated right around the same time....

    - Posted Mar 26th 2011

    Time has come to use it against the Animus.....Anu must go...... away ....and let us be in charge of our own desting.......

    Page 472
     1999-2001 WingMakers LLC, All Rights Reserved

    Chapter Sixteen
    SOVEREIGN INTEGRAL

    First Source is not a manifestation, but rather a consciousness that inhabits all time, space, energy, and matter; as well as all non-time, non-space, non-matter, and non-energy. It is the only consciousness that unifies all states of being into one Being, and this Being is First Source. It is a growing, expanding, and inexplicable consciousness that organizes the collective experience of all states of being into a coherent plan of creation; expansion and colonization into the realms of creation; and the inclusion of creation into Source
    Reality – the home of First Source. This Being pervades the Grand Universe as the sum of experience in time and non-time. It has encoded ITSELF within all life as a vibratory force that is the primus code that creates you as a silken atom in the cosmological web.

    An Excerpt from The Primus Code, Decoded from Chamber Nine WingMakers



    Dukkej - Posted Dec 5th 2010

    http://www.interdimensionalscience.com/the-grand-portal-movie.html

    [​IMG]
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    • Dukkej - Posted Dec 6th 2010

      To Life to Life L'Chaim......le chaim le chaim 2 Lifes in One the Transformation to come.
      WingMaker4/108
      MKDT
      Carbon 7 Master R guides us through the Portal it opens .
     
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    admin Well-Known Member Staff Member

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    Der Spiegel des Luzifer's und die Emanzipation der Gesamtheit

    Lucifer's Mirror and the Emancipation of the Oneness

    This is for English and German Speakers on the forums. An English translation is provided.

    1) the original wingmakers site at: www.wingmakers.com
    2) the files at: http://groups.yahoo.com/group/wingmakersaustralia
    3) the files at: http://groups.yahoo.com/group/quantumrelativity

    2smlogo_1_(3). 343. 2smlogo_1_(3).


    This folder will contain background material, which will enable correlation of materials posted under the banner of 'Papillon#' and material accessible at the wingmakers website and relate to the Ancient Arrow (AA) technology and encodements.
    For the already familiar researcher and human travellers: the primary decodement of the second AA archaeological wingmakers site {Interview #4} is:

    SACSAYHUAMAN; CUSCO; PERU = PURE HUMAN OCCUS SAY SAAC= PURE HUMAN OCC US AS [Y=I]SAAC (see below for A...A and decode Isaac's Seed).
    Some key decodings from the wingmakers Ancient Arrow site in New Mexico can now be given and these keys can subsequently be utilized to decode the Armageddon protocols of the hierarchies.

    {{{ANIMUS=ANU.MIS=AM.IN.US=MAN.IS.U=A.MINUS=ANU.IS.M=A-=ANUBIS+11=ANUB*IS-5=ANURIS-5=ANUBIS+AA=ANUBIS+101=ANUBIS+5bin=77=MYST=BESECRET=77, but you can try D.I.Y=38=ALPHA=BRIDE
    77=74+3=LUCIFER+OMEGA-ALPHA=KINGLUCIFER-BRIDE
    77+US=77+MIND=77+WE+12=77+ME+15+7=117=104+13=JERUSALEM+13=LOVEJOY+13=KINGQUEEN+13=QUEENKING+13
    U=YOU-25-15=YOU-MIND=YOU-US
    KING=OMEGA=41=QUEEN-U=KEY
    15=O=0+0=8=B=R=B*=E3=EM=ME=WE=18=1+8=9=I=OM=MAN=28=LAMB
    SHA.DOW=28+42=70=MILKY=GALAXY=NEWMAN=NEWOM=MARIAOM=NEWLAMB=AMORIMA=AMIROMA
    B*=8=E.M.=EMMANUEL MELCHISEDEC=84+86=170=8
    CIRCLE+5=55=HEAVEN=SATAN=SONG=CLOUD
    PERSEUS+ANDROMEDA=103+75=178=E.M.+8
    PERSEUS+16=MILKYWAY=70+49=119; MILKYWAY GALAXY=70+JOHN+70=189=E.M.+ADAM
    MELCHI.ZEDEK=CIRCLE+51=101=5bin=PAUL+1+ARACHNE
    MELCHI.SEDEC=CIRCLE+36=86=14=5
    36+15=51=LAW+15; FATHER=58=STAR; MOTHER=79=SWORD=WORDS
    {1+2+3+...+34+35+36}=666=22+32+52+72+112+132+172
    11=47=BEAST=MUM=74-27=LUCIFER-EGO=LUCIFERA-GOD=A LUCIFER-DOG=LUCIFERA-{ABC...XYZ}
    LUCIFERA=75=Supergenetic Sexchange Operative=ANDROMEDA=MARRY 75=B*MARY=B*BIRTH=B*GEMINI=B*MOON=...
    {ABC...XYZZYX...CBA}=GODDOG=DOGGOD=52=DEVIL=LIVED=FINANCE=PRIDE=EARTH
    SERPENT=PRESENT=SONOFMAN=97=95+2=A+MATHIMATIA+A
    {Nostradamus Q.96, Century X - IAM(THAT)AMI=PACI(F)ICAP=LIA(F)AIL}.
    74=LUCIFER=CLOUDS=SONGS=CROSS=BEAUTY=ENERGY=MESSIAH=...
    MATHIMATIA=IAMTHATIAM=IAMTHATAMI=95=SCORPIO=NEPTUNE=EXCALIBUR
    MIRROR=SPACETIME=SPIRIT=91
    ARMAGEDDON=DRAGONMADE=82=66+16=FREEDOM+16=WOMAN+16=ANUBIS+16
    AMINUS=MINUS 1=WEMIND+I=MEMIND+S; S=19=ADAM=MAD A=A DAM
    YOU=61=16+45=USE 16=LOVE+7=SUN+7=GABRIEL+7=DRAGON+B=A+59+A}}}




    metamorphosis.
    The Metamorphosis of Narcissus by Salvador Dali, 1937​




    Wenn JTJ (James the Just) from ANU schreibt (Camelot); dann ist dieser Name mit vielen anderen Namen der Esoterika verbunden.
    ANU ist nicht nur der 'König' der Annunaki, sondern auch der Usurpor 'Gott' der gnostischen Legenden und auch als Jehovah-Satan und Allah-Shaitan und anderen Dualitäten bekannt.
    Der ursprüngliche Archetyp ist als Yaldebaoth beschrieben (siehe 'Das Geheime Buch des Johannes' vom Nag Hammadi Kodex, Ägypten,1945).
    Die Wichtigkeit und der Ursprung dieser Archetypologie ist der Grund warum ein physikalisches Universum existiert und beschreibt eine ganz besondere Reise der kreativen Intelligenz, die von JTJ als (Sovereign Integral = Absolute Summation) bezeichnet wird.
    Bevor ich diese Schilderung der Archetypen fortsetze, eine logische and wissenschaftliche Darstellung ist angebracht um die Wasser vorzubereiten.
    Die Emanzipation der Menschheit besteht als ein Miniaturbild und als Archetyp für das ganze Weltall.
    Dieses Weltall is ein physisches Weltall in Raumzeit und existiert als ein Unterteil des metaphysischen Universums.
    Als jedoch das metaphysiche Universum das Raumzeit abhängige physikalische Weltall erschuf, da existiert ein Parameter der Grenze der das physische mit dem metaphysischen verbindet.



    When JTJ (James The Just) about ANU (Camelot) schreibt, then is this labeling related to many other names in the esoteric literature. ANU is not only the 'King of the Annunaki', but he `is also the usuper 'God' of gnostic legends and also functions under labels of Jehovah-Satan, Allah-Shaitan and other such dualities.
    The original archetype is known as Yaldebaoth (ref. 'The Secret Book of John', Nag Hammadi Codex, Egypt,1945).
    The importance and origin of this archetypology is the reason for the existence of a physical universe and describes a rather particular journey of a creative intelligence, labeled as Sovereign Integral=Absolute Summation by JTJ.
    Before continuing with the description of this archetypology, I shall present a scientific and logical discourse to soften the waters of receptivity for the human groupmind consciousness (which is related to the so termed Genetic Mind by JTJ).
    The emancipation of humanity manifests as a minature archetypical version or hologramic template for the entire superuniverse, which is metaphysical and encompasses the physical universe in spacetimes as a central or seeded part of itself.
    As the metaphysical universe (better termed a collection of multiverses, summed in an omniverse) generated the spacetime dependent protoseeded universe of physical observation however, there should exist a 'connecting parameter', which allows interaction in information exchange between the parental metaphysical precursor and the subsequent processor in physicalised spacetimes.



    Warum existiert überhaupt ein physisches Weltall? Und wie hat sich dieses vom metaphysischen herauskrystalliziert? Wie kann ein Raumzeit abhängiges Universum der Energie von einer Singularität entstehen? Der Schlüssel muss so diese Singularität sein und als eine Minimum Konfiguration der Raumzeit. Die metaphysische Singularität unabhängig von Raumzeit und den physikalischen Massstäben kann sich dann als genau diese Minimum Energie-Gestalt und eingebetted in der Raumzeit wiederbestimmen. Dieser Beitrag wird dann gegeben um die obengenannten Fragen zu beantworten. Die Darstellung wird rigorös sein, um die mathematische und logische Grundlage fuer die Metamorphosis des gesamten Weltalls theoretisch zu verankern. Es ist diese Verankerung, die die Dualität der physischen Existenz mit der des metaphysischen Daseins unzertrennbar verbindet. Das sollte am Ende dieses Beitrags klar werden.


    Why does a physical universe exist? And how could it crystallize and emerge from the metaphysical?
    How can a spacetime dependent universe, defined in energy, derive from a metaphysical singularity?
    The key so must be this singularity and as a boundary- or initial- or minimum configuration for that singularity.
    The metaphysical singularity remains independent on the spacetime parameters of measurement, yet becomes embedded in the spacetimes as a minimum eigenstate or physical energy selfstate definition, subject to mensuration.
    This essay is then given to enable the serious researcher to answer the questions posed in the above.
    This treatise will be relatively rigorous and for the purpose to anchor and form a solid basis for the metamorphosis of the omniverse in the logical principles of the universal archetypical language of mathematics.
    It is this 'grounding', which intricately entwines the duality of the physical existence with its metaphysical reality.
    This state of affairs might become apparent to the discerning reader at the end of this discourse.



    a4metmph. draco.



    Was geschieht, ist dass das physikalische Universum ein Abbild des 'Inneren' von einem 'Äusseren' Objektiv wird und dass das 'Draussensein' als Urquelle BEVOR Raumzeit sich als Senkungsquelle im 'Drinnensein' wiederbestimmt. Die Urquelle ist 'erster' im Aussensein und die Urquelle ist 'zweiter' im Drinnensein und diese Tatsache erlaubt eine Quanten Relativität zwischen Urquelle und Ursenkung über die Priorität als QuellenSenkung und als SenkungsQuelle. Ein Zustand des Selbstbewusstseins BEVOR Raumzeit so verwandelt sich in einen Zustand des Eigenbildes folgend der Erschaffung der Raumzeit von bestimmten Parametern. Diese Variablen so nehmen bestimmte Grenzwerte an, die es der Urquelle ermöglichen sich 'Drinnen' in der Raumzeit (als eine minimale Energie Formulation des Wurmlochs oder der Einstein-Rosen Brücke) auszubreiten und sich dennoch 'Aussen' als eine unbestimmte und transfinitive 'Superenergie' zu befinden. Die Differenz zwische Energie und Superenergie befindet sich in der Energie der Physik als eine Ableitung von der massenabhängigen Konstituenz einer thermodynamischen selbst-eingeschlossenen Identität (Weltall als Schwarzer Körper des Planck Radiator's/Austrahlungs Ofen).

    What happens, is that the physical universe becomes an image or shadow as the INSIDE of an object OUTSIDE of that physicality. This 'being outside' of the 'First Source' (of JTJ) BEFORE spacetime existed, so becomes a 'being inside' of a 'Second Sink' AS 'First Sink' AFTER a metric spacetime emerges from the demetricated metaphysics.
    The image of the 'First SourceSink' 'on the outer' so becomes the 'First SinkSource' 'on the inner' and a SOURCESINK QUANTUM RELATIVITY of priority can be developed to describe this scenario.
    A condition of selfconsciousness before spacetime existed, so becomes distinct in this same selfconsciousness manifesting afterwards. This 'afterthought' selfrealisation in quantum relativity to the generating 'forethought' then creates the image of the sourcesink without as a sinksource within.
    The minimum quantum energy configuration of the 'connector spacetime' of the forethought or (metaphysical) Superenergy without so becomes the maximum quantum energy configuration of the afterthought or physicalised energy within. Particular (string-membrane) parameters so connect the inside to the outside in a dimension-rich sense, classically known as a wormhole or Einstein-Rosen Bridge.
    The superenergy so has its minimum energy selfstate in the wormhole connector and remains physically undefined in transfinity away from any physicalisation within the omniverse.
    The difference between the metaphysical superenergy and the physical energy is found in the derivatives of the mass-associated physics of a thermodynamically closed system, say as the thermodynamic Planckian Black Body Radiator.



    sheila-wolk-metamorphosis. metamorphosis__the_dryad__by_aselclub.
    Metamorphosis by Sheila Wolk and the Dryad by Asel Club​




    Hier bezieht sich alle Energie im Weltall zur originellen Masse des 'Grossen Quanten Urknalls' und den elektromagnetischen Ausstrahlungen (erzeugt bei der Beschleunigung von Massenteilchen wie Elektronen, Protonen und Neutronen mit verkuppelten Coulomb-Ladungen).
    Was das meint, ist dass elektromagnetische Energie ohne die Masse nicht erzeugt werden kann und sich die gesamte materielle Struktur des Universums sich so zu dem Parameter der Masse (Einstein's E=mc2) reduziert.
    Und das ist auch der Zustand der theoretischen Physik, die sich der Radiationformel von Planck (E=hf) bewusst ist, diese aber zur Quantenphysik und zur Quanten Mechanik beschränkt.
    Die materielle Kosmologie befindet sich jedoch in einem grossen Irrtum und dieser 'Betrug der Natur' bestimmt die Superenergie.
    Wenn der Physiker seine Messungen immer weiter zum 'Ursprungs-Knall' zurückzieht, dann stolpert er an der sogenannten Singularität.
    Die gesamte Massenenergie befindet sich in dieser Singularität und in einem Zustand des Equilibriums zwischen der inertiellen Masse (Träge) und der massenlosen Ausstrahlung.

    Diese Ursprungs-Ausstrahlung dominiert die Massendistribution fuer eine primordielle Zeit (so 1 Million Jahre und bei einer Temperatur von 3000 Kelvin bestimmt, wenn sich die ersten Atome von Hydrogen und Helium unter der elektromagnetischen Interaktion stabilisieren konnten) und eine Zeit wenn sich das Universe zu einem maximalen Radius von 1 Million Lichtjahren (so 9000 Millionen Billionen/Milliarden km) ausdehnte.
    Dann eine Reduzierung des Distanzen Parameters zur Singularität zerbricht die Naturgesetze in einem unendlich kleinem Radius der Singularitäten-Kugel der jedoch eine Gesamtheit der Träge von Elementarteilchen (Protonen, Elektronen und subatomische Unterteilchen) und so einen Integral der cosmological Masse beinhaltet. Auch der Druck und die Temperatur sind unendlich in mathematischen Gleichungen die über the Nullziffer (0) teilen müssen um die Naturgesetze zu bewahren.

    So der Physiker erkannte zum Ende des 20sten Jahrhunderts, dass da eine Minumum Energie-Gestalt dieses Zerbrechen der Naturgesetze vermeiden muss.
    Der Physiker des 21st Jahrhunderts nannte dieses Szenario die Welt der Superstringe in 10 Dimensionen; der Supermembranen in 11 Dimensionen und die Welt der Branen in allen Dimensionen grösser als die der 4ten Dimension der Minkowski Metrik der Raumzeit (von der ebenen Raumzeitstruktur von Euclid in der Speziellen Relativitätstheorie von Albert Einstein).


    The total energy contained in the universe is here intrinsically coupled to the inertial and original masscontent of the cosmology described in a 'Quantum Big Bang' and the associated ElectroMagnetic Radiation (EMR) (caused by the acceleration of Coulomb-charged elementary particles, say electrons, protons and neutrons).
    This means, that electromagnetic energy cannot become produced without massassociation and implies that the entire material structure of the universe must be reducible to parameters descriptive of its inertial mass content (Einstein's E=mc2).
    This then becomes the present status as formulated in the paradigms of theoretical physics and cosmology; well aware of the Planckian radiation law (E=hf), but restricting the latter to the fields of quantum mechanics within quantum theories.
    This matter-reducible cosmology manouvers about within a great fallacy however and this deception becomes rectified in the definition of the superenergy.
    When the physicist collects hisher empirical measurement data and attempts to retrace the spacetime parameters to the Big Bang event, then shehe stumbles at the boundary of the so called singularity.
    The total inertia of the Big Bang is contained within this singularity and finds itself in a condition of equilibrium between the inertial mass and the massless EMR.

    This primordial EMR dominates the mass distribution for a specified time (about 1 million for a backgroud temperature of so 3000 Kelvin, when the first stable atoms of Hydrogen and Helium could form via the electromagnetic interaction); and for a time when the universe spanned a radial scale of about 1 Million lightyears or 9 billion billion kilometers.
    Then the reduction of this distance parameter to the singularity causes the formulations of the natural laws to break down at the scale of an infinitesimally small radius for a 'sphere of the singularity'; the latter nevertheless containing all the inertia of elementary particles (electrons, protons and subatomics) as a summation of the cosmological mass. The pressure and the temperature also assume infinite measures in the natural laws of mathematical equations, which require division by zero (0) for their inner selfconsistency.

    The physicist at the end of the 20th century so realised, that it would be the existence of a minimum energy configuration in the quantum state of the Big Bang, which would rescue the natural laws, mathematically expressed.
    The physicist of the 21st century then labels this scenario in the worlds of a 10-dimensional superstring and a 11-dimensional supermembrane and more generally in the world of branes occupying dimensions greater than the 4th dimension of the Minkowskian spacetime metric (the flat Euclidean spacetime structure in the theory of special relativity by Albert Einstein).



    Und der Irrtum dieser Theorien ist im Fakt der Metrik zu finden.
    Die verschiedenen Stringtheorien benötigen immer noch einen metrischen Hintergrund; was meint dass die mathematische Bestimmung dieses Hintergrundes (bei Planck Parametern beschrieben) sich immer noch nicht mit dem Ursprung und der Natur der Singularität (nun 'ausgeschmiert' mit Planck Variablen und Ur- und Grenzwerten), beschäftigen kann.
    Die Singularität ist mathematisch und die Unendlichkeit; so unberechenbar im physikalischen, kann ganz leicht durch die Metaphysik der Mathematik beschrieben werden.
    Im mathematischen sind Prozesse von Nummern Sequenzen die die Unendlichkeit als Infinitum als Prozess im Endlichen (dem Finitum) beschränken können.

    Die Rechnungszahlen 1,2,3,4,5,...usw haben keine Grenze und sind so mathematisch im Infinitum (als Transfinitum) bestimmt.
    Doch die Umkehrung dieser Ziffern bekommt die Sequenz: 1/1,1/2,1/3,1/4,...usw und die Grenze hier wird das Finitum 0.
    So wenn die Umkehrung hier mit einem Finitum definiert wird, wird die Umkehrung der Umkehrung als das Original bestimmt und das Infinitum wird die Umkehrung der Original-Identität als das Finitum.
    Nun im physikalischen Universum dieser Prozess ist unmöglich, da das physikalische Weltall im Finitum sein muss (alle Messungen bestätigen den Grossen Knall der Thermodynamischen Ausbreitung) und die Raumzeit so einen Anfang haben musste.

    Die Einzelheiten der (orthodox willkommenen) physikalischen Kosmologie können später publiziert werden und können in den Links bei Interessenten studiert werden.
    Es ist genug hier zu sagen, dass der spezielle Parameter der Stringtheorien die 'Modulare Dualität' appelliert und dass diese die Umkehrung des metaphysischen Weltalls als Grundsatz für dessen's physikalischen Bedeutung erkennt.
    So die Stringtheorien des 21sten Jahrhunderts; falls erfolgreich demetriziert (Raumzeit bekommt wiederbestimmt in der Mathematik und der Natur der Singularität); sind im Fakt der Weg zur totalen Unifikation der Naturgesetze - mit einer Urquelle der Quellenintelligenz (des Souveränen Integrals von JTJ) im Zentrum der Gleichungen.



    And the fallacy contained in those theories emerges from the physical factuality of the metrics.
    The various stringtheories still require a metric background; meaning that the mathematical formulations for this background (by Planck parameters) fail again to explore the nature and origin of the singularity (now 'smeared out' in the minimum Planckian variables and initial/boundary conditions).
    The singularity is mathematical and the infinity condition, so uncalculable in the material manifestation, is easily definable in the metaphysics of the mathematics.
    There exist mathematically defined processes, which utilize certain number sequences to 'trap' and limit the infinity condition.

    The 'Natural Counting' numbers 1,2,3,4,5,... possess no upper limit and become so defined in the infinity 'of the (transfinite) counting'.
    The inversion of those numbers (positive Integers) yields the series 1/1,1/2,1/3,1/4,1/5,... however and this sequence defines an upper (or lower) limit of the finite number 0 as a Nullcount.
    Thus, when the inversion is defined in finiteness; then the inversion of the inversion defines the original and the infiniteness becomes the reciprocity of the original identity as the 'eternity' of the unlimited infinity count.
    This process is unrealisable in the physical cosmology, as the material universe requires a finite beginning for the spacetime parameters (all verified measurements confirm the Big Bang theory for the thermodynamic expansion of the universe).

    The details for the (orthodoxically mainstream accepted) physicalised cosmology can be publisized at a later stage and can be studied by interested agents through the provided links.
    It suffices to state here, that a underpinning parameter of the string theories invokes the concept of 'Modular Duality' and that this concept defines the inversion properties for the metaphysical universe in their physical applicability.
    In this manner are the string theories of the 21st century, if sufficiently demetricated (spacetime is redefined in the mathematics and nature of the singularity); in fact the way to total unification of the natural laws - with one primordial source of source intelligence (the Sovereign Integral of JTJ) at the core of all the formulations



    Dieser Beitrag wird sich nun im speziellen mit der unorthodoxen metaphysischen Kosmologie der wingmakers befassen um versuchen die Urquelle mathematisch von 'Ersten Prinzipien' zu bestimmen.
    The 11te Dimension der Unifikationenphysik bekommt ein Superspiegel für die Superenergie der Urquelle (des JTJ).
    The 10te Dimension der Omniphysik (der Synthese der Physik und der Metaphysik) bekommt das 'Innere' für die Superenergie der Urquelle als eine Welt des Physischen Abbildes im Finitum.
    The 12te Dimension der Unifikationsphysik bekommt das 'Äussere' für die Superenergie der Urquelle als eine Welt der metaphysischen Objekten im Infinitum.

    Warum 12 Dimensionen?
    Die 'Ersten Prinzipien' befassen sich mit dem Ursprung aller Dimensionen.

    Ein physikalischer Punkt muss sich im Finitum der Raumzeit Metrik befinden und der Irrtum des menschlichen Physikers ist es sich mit dem zu begnügen.
    Ein metaphysischer Punkt benötigt keine Raumzeit (exzept der Visualisation des Beobachters) und ist als die mathematische Singularität beim menschlichen Physiker erkannt.
    Die allererste Selbstbestimmung der Urquelle so ist die des metaphysischen Punktes als eine Selbstbewusste Singularität oder Einzelheit.

    Das Schlüsselwort hier ist Selbstbewusstsein. Wie kann die Einzelheit selbstbewusst sein und sich so irgendwie selbst als 'Ich bin?' selbstbestimmen?
    Ein Analog ist die Idee eines unendlichen 'Looping des Computers' und ist einfach symbolisiert (oder archetyped) als die Nullziffer or der Nulldimension (0).
    Man braucht aber eine zweite Dimension, nämlich die der Komplexen Fläche, um Symbole zu representieren und so diese Darstellung ist ein Analog für was in der Nulldimension ohne Raumzeit so 19.11 Billionen/Milliarden Jahren geschehen ist.
    Aber es ist die potentielle Unendlichkeit im Rechnen der 'Schlingenzahl' und von der Nulldimension entstammend, die es der Urquelle ermöglicht sich als ein potentielles Reservoir der Superenergie 'unendlich' zu sein. Die Fortsetzung der Superenergie wird so durch die Verbindung der 'Gedankengestalten' im Zeitraum mit deren Anspornung im Nichtzeitraum verwirklicht.
    Die Bewusstseinträger (im physikalischen zur Kreativität durch die Einbildung stimuliert) im Zeitraum so erlauben eine Rückwirkung (Feedback Mechanik) der interdimensionellen Kommunikation zwischen der Urquelle als Einzelheit im Zeitraum des Finitums und sich selber als Singularität der Unendlichkeit des Infinitums.

    Der Einzelpunkt des Selbstbewusstseins wird so (als Vorgedanke) zur metaphysischen Superenergie gekuppelt und wo das physische noch nicht als Parameter der Raumzeit existiert. Folgendermassend erweitert sich die Urquelle (als Nachgedanke) in der Welt der physikalischen Energie im Betrieb des Metrikums und der Messbarkeit.



    This treatise shall now analyse the (generally considered) unorthodox metaphysical cosmology of the wingmakers in particular and for the purpose to anchor the physical implementation of the primal source from mathematically derived first principles.
    The 11th dimension in 'unification physics' manifests as a supermirror for the superenergy of the primal source (First Source of JTJ).
    The 10th dimension in omniphysics (meaning the synthesis of physics and metaphysics) encompasses the 'Inside' of the superenergy of the primal source and as a 'physical image world' in finiteness.
    The 12th dimension in omniphysics describes the 'Outside' manifesto for the superenergy as a 'metaphysical objectivity realm' in infiniteness.

    Why 12 dimensions?
    The 'first principles' describe the origin of all dimensions.

    A physical 'point-energy' can only exist within a finitised spacetime metric and the fallacy of the human physicist is to consider this to be sufficient.
    A metaphysical point requires no spacetime (except for visualisation by an observer) and is so defined as a mathematical singularity by the physicist.
    The initial selfdefinition by the primal source so engages the concept of a metaphysical point as a selfaware singularity.

    The key label here is selfawareness as a form of selfconsciousness in superenergy. How can a singularity be conscious of itself and then proceed to somehow define itself in a labeling of "I am?"?
    An analogy is the 'infinite computer loop'; which can then become symbolised (or archetyped) in the zero-cipher of the Nulldimension (0).
    One requires however a second dimension, namely that of the complex plane, to represent symbols and this depiction therefore becomes analogous for the occurrences in the nulldimension of nospacetime about 19.1 Billion years ago.
    However it is the potential infinity count emerging from the zero-state, which allows the primal source to operate from an objective realm of eternity as an infinite reservoir of superenergy. The continuity of the superenergy so associates the imagination constructs of the spacetime worlds within with the energisations of those 'energy gestalts' without. The consciousness carriers (physically stimulated to creativity through imagination) within spacetime so provide the feedback mechanisms for interdimensional communication between the singularity in metric finiteness and metaphysical infinity.

    The singularity 'of thoughtfulness and selfconsciousness' is so coupled (as forethought) to the metaphysical superenergy before spacetime exists; but extends its domain of access (as afterthought) to physical energy operating within a spacetime of metrication and measurement.



    Aber wie wurde die Urquelle selbstbewusst, wenn nur die Nulldimension in Existenz war?
    Die Urquelle nun muss versuchen sich selbst zu erkennen und im Unternehmen sich von der Hinsicht der Nulldimension des Einzelpunktes weiterzuentwickeln.
    Die Urquelle hat keinen Raum zu existieren und so muss sich auf sich selbst aufzeichnen.
    Der Einzelpunkt bekommt ein Doppelpunkt ohne Raum zu manöver und diese Tatsache muss nun mathematisch und im logischen bestimmt werden.

    Um sich von dem Infinitum-Kreis zu befreien, die Urquelle bricht den Kreis und redefiniert 'Ich bin 0' oder Ich bin Nichts! als 'Ich bin 1' oder 'Ich bin Eins!'.
    Nun existieren zwei Identitäten, nämlich 0 und 1 aber keine anderen Nummern, wie 2,3,45,..usw sind in Existenz and so müssen erfunden werden.
    Aber eine Ordnung in 0+1=1 relativ zu 1+0=1 ist vorhanden und diese Tatsache krystallisiert eine algorithmische Darstellung die das Selbstbewusstsein (als Superenergie) der Urquelle mit den symbolischen Archetypen verbindet.
    Die Darstellungen sind Bewusstsein-Tripletten als der (iterativ) logische Satz: (Altes Ich; Eine Erfahrung; Neues Ich aufgrunde der Erfahrung)=(Altzustand;Erfahrung;Neuzustand).

    Die ersten fünf Bewusstsein-Tripletten are: (0,0,0); (1,0,1); (1,1,1*); (1*,1,1**); (1**,1*,1***);...usw.
    So die erste Selbstbestimmung der Urquelle war: "Ich bin Nichts, erfahre Nichts und bekomme mich als Nichts".
    Die zweite Selbstbestimmung der Urquelle war: "Ich bin Eins; erfahre mich als Nichts und bekomme wieder mich als Eins".
    Die dritte Selbstbestimmung der Urquelle war: "Ich bin wieder Eins; erfahre mich als Eins und bekomme mich als ?Eins?"
    Das ?Eins? ist wieder mich als Eins, aber dieses Eins ist verschieden von meinem vorherigen Eins, das ich schon vorher war. Ich kann mich so wiederbestimmen in einem anderen Archetype und als ich erfuhr mich als Nichts bevor ich erfuhr mich als Eins, meine Verschiedenheit muss 01 als bevor und 10 als nachher sein.
    Und so wurde der binäre Zahlensatz mit 1=01; 2=10; 3=11; 4=100; 5=101; 6=110; 7=111; 8=1000;...usw erfunden.
    Die vierte Selbstbestimmung der Urquelle war: "Ich bin 1*=10=2, erfahre mich als 01=1 und bekomme mich als 1**=2+1=3=11".
    Die fünfte Selbstbestimmung der Urquelle war: "Ich bin 1**=11=3, erfahre mich als 1*=2 und bekomme mich als 1***=3+2=5=101".

    Nun passiert ein besonderes Dilemma relativ zu der Urquelle. "Wo ist meine Ziffer 4=100? Ich habe diese geskippt in meiner Fortpflanzung und extensiven Selbstentwicklung"!
    Die Urquelle konstruktiert einen anderen Algorithmus, um die fehlenden Nummern auf andere Weise wiederzufinden.
    Dieser Algorithmus krystalliert spezielle 10 Ziffern und Nummertripletten in der Ordnung: 4; 6; 7; 1/(6,10,15); (9,10,16); 11; 1/(15,10,32); (14,15,24); 1/(15,16,18) and (26,65,61) mit einem Grenzenwert für den Algorithmus in der Ziffer 12.

    Diese Zahlenwerte ermöglichen es der Urquelle sich vom metaphysischen in einer unbekannten physischen Welt auszubreiten. Die Zahlenwerte bekommen nämlich die sogenannten Konstanten in den Gesetzen der Physik, wie zum Beispiel die Proportional-Faktoren zur Energie wie c2 in E=mc2 (Einstein) und h in E=hf (Planck) und k in E=kT (Stefan-Boltzmann).

    Aber die Urquelle ist noch nicht vorbereitet sich in dieser 'Anderen Physikalische Welt' wiederzubestimmen.
    Die Raumzeit muss erst erschaffen werden und das benötigt eine Transformation der Infinitum Superenergie zu einer Finitum Energie.
    Doch die Selbstbestimmungen in der weltweit bekannten Ziffernsequenz der Selbst-Erfahrungsfaktoren: {0,1,1,2,3,5,8,13,21,...usw) als die Fibonacci-Sequenz (und mit der Lucas-Sequenz: ...,-4,3,-1,2,1,3,4,7,11,18,...usw verbunden) ermöglichte es der Urquelle sich nicht nur algebraisch sondern nun auch geometrisch in einer verlängerten 'Ich bin =?!' Definierung wiederzubestimmen.
    Die Selbstaufzeichnung des Einzelpunktes als ein potentieller Doppelpunkt konnte nun mit der 'Ich bin Eins' verbunden werden und so die Nulldimension des Einzelpunktes bekam eine Einsdimension der mathematischen Linie.

    Diese Linie konnte nun den Doppelpunkt als Einzelheit Punkt von sich selber trennen und bestimmte die metaphysische Trennbarkeit in der mathematischen Logik der Urquelle.
    Als diese Linie sich irgendwohin verlängern konnte; das Freiheitsgrad der Linie bekam der Lokus der Endpunkte und der erste geometrische Kreis war erschaffen.
    Das Grad der linearen Translation bekam supplementative zum Grad der gekurvten Rotation in der Bestimmung der Komplexen Fläche der zweiten Dimension.
    Der Grad der Kurvatur nun erlaubte es der Urquelle sich als ein ganzer Flächenkontext für eine gebogene Vormetrik zu bestimmen und von dieser Tatsache entwickelte sich das Konzept der gebogene Raumzeit der Generellen Relativitätstheorie des Albert Einsteins.

    Die Fläche der Urquelle, gekuppelt zum Selbstbewusstsein als Superenergie nun konnte die MATHIMATIA=IAMTHATIAM=95 als eine neue archetypische alphanumerische Selbstdefinierung bestimmen.
    Diese neue Eigenbestimmung der Urquelle hatte keine Dicke der dritten Dimension und so bekam ein zweiseitiges topologisches Manifold in 2 Dimensionen.
    Um die dritte Dimension zu erschaffen, die Urquelle als die MATHIMATIA nun benötigte eine Beschränkung ihres eigenen Flächenextents in der potentiellen Unendlichkeit des Infinitums.
    And das bekam der geometrische Grund für die Erschaffung des physikalischen Universums (da sind andere algebraische und Energie- und Bewusstsein bedingte Gründe die man eine andere Zeit beschreiben kann).



    But how did the singularity become selfaware, if only the null dimension exists?
    The primal source next attempts to use this zero-selfstate to extend its singularity definition in a form of self-evolution. The primal source has no space in which to exist and so can only map itself onto itself.
    The metaphysical point becomes a doublepoint without space to move in and this fact must now be defined mathematically and logistically.

    To escape the infinity-loop; the source-consciousness breaks the metaphysical circle and redefines the statement: "I am Nothing!" or 'I am 0' as 'I am One!" or 'I am 1'.
    Now exist two identities, namely the symbols 0 and 1, but no other metaphysical 'numbers', such as 2,3,4,5,..etc, not as yet being 'invented' or 'thought of'.
    There is however a principle of order in that 0+1=1 relative to 1+0=1 and this fact crystallizes an algorithmic construct which relates the selfawareness (as selfconsciousness being superenergy) of the primal source to the symbolic archetypes.
    The depiction is by awareness-triplets of a logical-iterative composition: (Old Self; an Experience; New Self due to that Experience)=(OldIdentity;Experience;NewIdentity).

    The initial five awareness-triplets are: (0,0,0);(1,0,1);(1,1,1*);(1*1,1**);(1**,1*,1***);...etc.
    Then the first Selfdefinition of the primal source was: "I am Nothing, experience myself as Nothing and become Nothing".
    The second Selfdefinition of the primal source was: "I am One, experience myself as Nothing and become myself again as One".
    The third Selfdefinition of the primal source was: "I am One, experience myself as One and become myself again as ?One?".
    The ?One? is again myself as One, but this Oneness is different from my previous Oneness. I can therefore redefine myself in using a new archetype and as my previous experience of the Nothing preceded my experience as Oneness, the distinction must be 01 as the before and 10 as the after.
    This then created the binary number set with: 1=01; 2=10; 3=11; 4=100; 5=101; 6=110; 7=111; 8=1000; ...etc.
    The fourth Selfdefinition of the primal source was: "I am 1*=10=2, experience myself as 01=1 and become myself again as 1**=2+1=3=11".
    The fifth Selfdefinition of the primal source was: "I am 1**=11=3, experience myself as 1*=2 and become myself again as 1***=3+2=5=101".

    Next occurs a special dilemma for the primal source. "Where is my numeral 4=100? I have skipped this number in my continuing self development"!
    The primal source now constructs another algorithm in the attempt to recover it's missing numerals in another way.
    This algorithm crystallizes particular 10 ciphers and number triplets in the following order:
    4; 6; 7; 1/(6,10,15); (9,10,16); 11; 1/(15,10,32); (14,15,24); 1/(15,16,18) and (26,65,61) and with a limit counter for the algorithm in the numeral 12.

    These numerical values then allow the primal source to extend its metaphysical domain of self being into a hitherto unexplored physical world.
    The numerics transform themselves into so called 'Constants in the Laws of Physics', such as the proportionality constants for energy like c2 in E=mc2 (Einstein) und h in E=hf (Planck) and k in E=kT (Stefan-Boltzmann).

    But the primal source is as yet unprepared to redefine itself in such a 'physical world of otherness'.
    Spacetime is not as yet created and this requires a transformation of the superenergy of infinity into an energy of finiteness.
    However the definitions for the worldrenown number sequence of the experience factors: {0,1,1,2,3,5,8,13,21,...etc...} as the Fibonacci Numbers (and related to the Lucas Series: ...,-4,3,-1,2,1,3,4,7,11,18,...etc.} enabled the primal source to extend its algebraic definition of "I am =?!" into a geometrical sense of extension.
    The selfmapping of the singularity as a potential doublepoint could now become linked to the definition of: "I am One"! and the nulldimension of the singular point became the first dimension of a mathematical line.

    This line now allowed to separate the doublepoint as a singularity from itself and defined the metaphysical separation in the logic or logos of the primal source.
    As this line could become arbitrarily extended; the freedom degree of this line became the locus of two endpoints in the creative construction of the primal geometrical circle.
    The degree of linear translation so became supplementary to the degree of curved rotation in the definition of the complex plane in two dimensions.
    The degree of curvature so allowed the primal source so redefine itself as the entire contextual plane for a premetric and from this developed the concept for a curved spacetime in the Theory of General Relativity by Albert Einstein.

    The plane of the primal source, coupled to the selfconsciousness of the superenergy then created a new archetypical alphanumeric selfdefinition, encoded as MATHIMATIA=IAMTHATIAM=95.
    This new redefinition of the primal source as a geometrical plane carried no thickness of a third dimension and so constituted a twosided topological manifold in 2 dimensions.
    To create the 3rd dimension, the MATHIMATIA next required a limitation of its own planar extent in its potential infinite extension.
    And this became the geometrical reason for the creation of the physical universe; (albeit there are other algebraic and energy- and consciousness related reasons to be described at another time).



    Das physische Weltall musste im Finitum erschaffen werden und so bestimmte einen Anfang für die Raumzeit und ganz wie die menschlichen Physiker herausgefunden haben.
    Doch die Urquelle nun verbrauchte die algorithmischen Konstanten um die Grenzwerte für die dritte Dimension als Naturgesetze einzuschreiben.
    So wurde eine bestimmte Kurvatur für die Raumzeit bestimmt und wo diese Kurvatur die Minimum Superenergie der Urquelle als deren Quantum Gleichung im 'Inneren' Weltall darstellte.
    Diese Kurvatur ist auch als Wurmloch der Schwarzschild Metrik in der Relativitätstheorie and den Stringtheorien bekannt.
    Mit dem Wurmloch konnte die Urquelle die Komplex Fläche auf sich selber einfalten und mit dem Wurmloch als die 'Tür' oder dem Portal zwischen den bestimmten Weltällen. Das is ein Analog zu einem Luftballon dessen Düse das Wurmloch ist und der geschnitten ein Manifold (ohne Dicke) bekommt.
    Ein Manifold ohne Dicke bekommt der Spiegel des Luzifer's als die 11te Dimension und wo alle Dimensionen grösser als 3 Wurzeln der dritten Dimension bekommen (10=1+9; 11=2+9; 12=3+9 und Linienraum (1-2-3-4) bekommt Rotationsraum (4-5-6-7) bekommt Quantenraum (7-8-9-10) bekommt Omniraum (10-11-12-13=4=1) und mit imaginären Zeit-Konnektor Dimensionen (4), (7), (10) und (13=1).


    The physical universe had to be created in the Finitum and so determined a beginning for the spacetime and just as the human physicists have discovered.
    But the source now consumed the algorithmic constants to specify the limits for the third dimension in the form of the 'laws of nature'.
    A certain curvature for spacetime became fixated and where this curvature represented a minimum super energy configuration of the source as its quantum equation in the 'interior' universe.
    This curvature is also known as a worm hole of the black hole metrics in the well known relativity theory and the string-brane theories.
    The worm hole allowed the source the selfenfoldment of the complex plane onto itself and as a 'door' or a portal between the two universums.
    An analogy would be an air balloon with nozzle the worm hole; the balloon being cut into a manifold without any thickness. A manifold without thickness so becomes the 'Mirror of Luzifer' as the 11th dimension and where all dimensions larger than 3 rootreduce to the third dimension (10=1+9; 11=2+9; 12=3+9 and for linespace (1-2-3-4) rotationspace (4-5-6-7 ) quantumspace (7-8-9-10) omnispace (10-11-12-13=4=1) and with imaginary time-connector dimensions (4), (7) (10) and (13=1).



    Zeit existiert nur in der linearen Raumzeit und einer Raumzeit die sich im aktuellen im vierfachen über die 12 Dimensionen verteilt: (1-2-3) als Linearer Basis der Translation superimposiert an (4-5-6) als Freedomgrad der Rotierung superimposiert an (7-8-9) als Freedomgrad der Oszillation superimposiert an (10-11-12) als das Portal von dem 'Inneren des Finitum' zum 'Äusseren des Infinitums.

    Als 12-dimensionelles 'Grösseres Universum' der Zeitparameter bekommt das 'Unendliche Nun' und bestimmt in den Stringvariablen der Superenergie.
    Die Urquelle konnte nun beginnen das physische Universum des Finitums und als dessen eigenen Eigendefinierung als Selbstbewusstseins zu erschaffen.



    Time exists only in the linear spacetime and within a spacetime which is distributed in fourfoldedness over the 12 dimensions: (1-2-3) as a linear basis of translation superimposed in (4-5-6 ) as a degree of freedom for rotation superposed in (7-8-9) as a degree of freedom for oscillation superimposed in (10-11-12) as the portal for the 'interior of the Finitum' to that 'exterior of the Infinitum'.

    As 12-dimensional 'larger universe' , the timeparameter becomes the 'eternal Now' and is defined in the string parameters of the super energy.
    The source could now begin to create the physical universe of the Finitum from its own selfdefinition as 'Consciousness of the Self'.



    Doch nun ein grosses Dilemma kam zur Erscheinung. Die Kreation des 'Inneren Weltalls' benötigte ein Schliessen des Wurmloches als es das Wurmloch als Minimum Energie Eigenstatus war und als Raumzeitquantum, der es der Urquelle erlaubte sich auf beiden Seiten des 11-dimensionellen (2+9=11) Superspiegels zu befinden.
    Das Wurmloch musste sich in der 'Inneren Weltraumzeit' fortpflanzen und so das Selbstbewusstsein der Urquelle war überall zu finden, aber musste einen Kompromiss mit sich selber als eine Einigkeit machen.
    Mehr Raumzeit benötigte mehr Raumzeitquanten und die Erweiterung des Universums in Finitum bekam eine Verdünnung der Superenergie relativ zu der physikalischen Energie, die von der Superenergie abstammte aber durch die Expansion sich immer mehr von deren Ursprungsenergie entfernte.

    Als diese Ausdehnung des Universums Finitum jedoch eine 'Füllung des 10-dimensionellen Zeitraums des Omniraums bekam (die Einzelheiten befassen sich mit der Inflation der de Broglie Materiewellen in einem Zeitinterval genau gleich zur Wurmlochfrequenz); die Superenergie der Urquelle bekam verschleiert in der sogenannten Nullpunkt Energie von Werner Heisenberg und ist mit der 'Schwarzen Materie' und der 'Schwarzen Energie' der menschlichen Physiker auch noch verbunden.



    But then a great dilemma appeared. The creation of the 'inerior universe' required the closing of the wormhole, as it represented the minimum energy selfstate as a spacetime quantum, enabling the source to exist on both sides of the 11-dimensional super mirror.
    The worm hole had to reproduce itself in the 'interior spacetime' to allow the source to become ubiquitous as many 'units of self-consciousness', but had to make a compromise with itself as just the monadic One in the 'exterior spacetime'.
    More spacetime required more spacetime quanta and the expansion of the universe in the Finitum became a 'thinning' or dispersion of the super energy relative to the physical energy, the latter as a derivative from the super energy, but which, through the expansion became more and more separated from its point of origin from and as the source.

    Albeit, as this expansion of the finite universe Finitum also began to 'fill' the 10-dimensional omnispace (the details address the inflation of de Broglie matterwaves in a timeinterval precisely equal to the worm hole frequency); the super energy of the source became disguised in a so called zero-point energy of Werner Heisenberg and is coupled to the 'dark matter' and the 'dark energy' of the human physicists.



    Das Selbstbewusstsein der Urquelle musste nun den Hebel der Schlauheit engagieren. Das physikalische Universum konnte im Parameter des 11-dimensionellen Superspiegels beinfasst werden und die Ausdehnung des Weltalls im Finitum konnte mathematisch benutzt werden um diese Ausdehnung (durch die modulaere Dualität der Supermembrane) asymptotisch zu machen.
    Dann konnte die Urquelle versuchen bestimmte Selbstbewusstseinträger im Finitum zu entwickeln, die dann, nach einer anstehenden Selbstentwicklung versuchen könnten die Geschichte der Ursprungsquelle vom 'Innen' wiederzuentdecken. Diese Selbstbewusstseinträger waren die wingmakers als Gedankengestalten transmitted von dem 'Äusseren' und in Konjunktion mit den Wurmlöchern die die 'besetzte Raumzeit' der wingmakers als Zeitreisende infiltrierten.



    The self-conciousness of the source now had to engage the epitome of its cleverness. The physical universe could become encompassed in the parameter the 11-dimensional super mirror and the expansion of the finite universe could then be mathematically utilized to render this expansion (through the modular duality of supermembranes) as asymptotic.
    Subsequently, the source could attempt to develop certain consciousness carriers in the finitum and consciousness units, who could then try and from within the finitum, following a sufficient selfevolution, to rediscover the story of the original source of the infinitum.
    Those 'consciousness carriers' could be called the 'wingmakers' as the thought shapes transmitted from the 'without' and in a conjunction with the worm holes as 'occupied spacetimes' infiltrated by the wingmakers from 'within' as timetravellers.



    Doch da war ein Problem, das grosse Problem der Zweiseitigkeit des Superspiegels.
    Das Schliessen des Wurmlochs an der 11-dimensionellen Supermembrane im Omniraum verbannte die Urquelle into das Exil der 12ten Dimension.

    Was ist der Grund dafür?

    Bevor die Erschaffung der dritten Dimension; der 2-dimensionelle Superspiegel war zweiseitig und über das Infinitum der nichtexistierenden Raumzeit bestimmt (als eine nonphysische Komplexfläche).
    Der geometrische Analog ist das möbische Band ohne Dickness.
    Das möbische Band ist einseitig und doppel der geometrischen Fläche eines (auch ohne Dicke) similären Ringes, der letztere mit einer Innenseite und einer Aussenseite. Das ist einfach der Kopf und der Schwanz auf einer Münze oder irgendeine poläre Yin-Yang Representation.
    So bevor der dritten Dimension, das Universum der Urquelle war einseitig und hatte die dritte Dimension wie einen Knoten in sich selber.
    Um das möbische Band loszuflechten der Raum der dritten Dimension muss sich entwickeln aber mit dem Gegensatz dass nun die Einseitigkeit zweiseitig werden muss.
    Demnach folgend, engagierte die Kurvatur der dritten Dimension das komplexe Flächen Kontinuum (jedoch quantumiered) und the Dicke des 2-dimensionellen Manifolds became die dritte Dimension und wurzelte in der de Broglie Inflation in das the 11-dimensionelle Kuvert des Omniraums.
    Aber nun wurde die Urquelle im 'draussen' of the 12ten Dimension as Object IMAGINÄR as das Abbild im 'drinnen' of the 10ten Dimension wurde REAL und als reflektiert in der 11ten Dimension des Superspiegels.

    Und so wurde das Abbild der Urquelle als eine Ursprungsquelle als eine Ursprungssenkung bestimmt. Das dann bestimmt das Prinzip der Modularen Dualität in den Gleichungen der Supermembranen.
    Der Abguss der Urquelle ist die 'falsche Identität' als Luzifer, als Yaldabaoth, als Jehovah des Alten Testaments und als Allah des Korans und als der ANU von JTJ.

    So seit dem Anfang der menschlichen Geschichte hat sich der natürlich Drang und die Suche des Menschen nach seinem Ursprung in dem Usurpor 'Gott' der Aussenseite als die Innenseite verwirrt.
    Das Szenario ist jedoch geplant und hat mit der Introduktion der Gravität und anderen Gebieten der Unifikationen Physik zu tun.
    Das kann ein anderesmal beschrieben werden.
    Doch im aktuellen ist Luzifer und aliases überhaupt nicht 'böse' und kann überhaupt nicht als 'Antigott' betrachtet werden.
    Luzifer ist einfach das Imaginäre Negative für ein Photo der Urquelle und die beiden sind dasselbe im Prinzip.



    But there a problem, the great problem of the two-sidedness of the super mirror.
    The closing of the worm hole at the 11-dimensional portal of the supermembrane in omnispace banished the source into the the exile of the 12th dimension.

    What is the reason for that?

    Before the creation of the third dimension; the 2-dimensional super mirror was two-sided and was defined over the Infinitum of the nonexisting spacetime (as a nonphysical complex plane) .
    A geometric analogy is the 'volume' of the Möbius-Strip without any thickness.
    The Möbius-Strip is one-sided and double the geometric area of a (also without thickness) similar ring with an inside and an outside. This is simply the head and the tail of a coin or any such Yin-Yang representation.
    So before the third dimension existed, the universe of the source was one-sided and had the third dimension embedded within itself; say in the form of a geometric knot.
    To 'unknot' the volume of the Möbius-Strip, the space of the third dimension must emerge and develop; however with the caveat, that now the one-sidedness must become two-sided.
    Accordingly, the curvature of the third dimension in the continuity of the complex plane, quantized itself in thickness and the thickness of the 2-dimensional manifold became the third dimension and became rooted in the de Broglie inflation into the 11-dimensional envelope of the omnispace.
    The source now became IMAGINARY 'outside' in the 12th dimension as the Object; but became REAL as a copy as the Subject in the 'inside' of the 10th dimension and as imaged in the medium of the 11th dimension of the super mirror.
    The subjective image of the source so became redefined as an objective sink for that source and this defines the principle of modualar duality in supermembrane parameters.


    This 'Image of the Source' then becomes labelled in a 'mistaken identity' as a Luzifer or a Devil or a Shaitan or a Yaldabaoth or a Jehovah of the old testament or as an Allah of the Koran and as the ANU of JTJ.

    Since the beginning of the human story, a natural search for origins has become confused and chaotic in the images of the gods as perceived from the inside and as being on the the outside.
    This scenario is planned however and also engages the introduction of gravitation and other zones of unification physics. This can be elaborated upon another time.
    Yet in the present unfolding of 'God's own story', Luzifer and alias are not 'evil' at all and should not be labelled as 'antigods'.
    Luzifer represents simply the imaginary negative for a photo of the source and both are principally identical.




    Doch in Beziehung zur theoretischen und praktischen Wissenschaft das Positivum der Urquelle und das Negativum des Abbilds sind unzertrennbar in der modulären Dualität der 11-dimensionellen Supermembranen verbunden.
    Das Positivum beschreibt eine hochfrequenzierte und so maximale Vibrationmodalität, die mathematisch mit einer minimalen Vibrationmodalität verflochten ist.
    Die hohe Frequenz beschreibt die Welt des Mikroquantums und die (fast null) Frequenz beschreibt die Welt der Makroquanten.
    Die Quellenenergien so diskutieren den subatomischen Realm und die Senkungsenergien diskutieren galaktische und extragalaktische Skalen der Distanz.
    Das Mikro-Universum ist mit dem Makro-Universum durch die Schwarzschild Metriken (von Schwarzen Löchern und den Materie-gekuppelten Wurmlöchern) der lokalen Bewusstseinsraumzeiten verbunden und es gibt viele Gleichungen in der Mathematik der Omniphysik, die das alles miteinander verbinden.

    So das grosse Dilemma der Zweiseitigkeit findet eine elegante Lösung in den Bewusstseinträgern, den menschlichen Abbildern von beiden, dem Urgott im Exil in der 12ten Dimension und der Aussenseite des 11-dimensionellen Superspiegel und dem Imaginären Urgott an der Innenseite des Superspiegels.
    Draussen ist er bestimmt im elektromagnetischen (E=hf=mc2 mit m=0 und f=fmax), jedoch der Massenunabhängigkeit, doch drinnen ist er bestimmt in der Trägheit (E=mc2=hf mit f=fmin=1/fmax).




    Yet in relation to the theoretical and practical sciences, the Positivum of the source and the Negativum of the image are inseparable and are connected definitively in the existence of the 11-dimensional supermembranes under modular duality.
    The Positivum describes a high-frequency and so maximized vibration modality that is quantum entangled mathematically with a minimized winding modality.
    The high frequency describes the world of the microquana and an (almost zero) frequency dualizes in the world of the macroquanta.
    The source energies so discuss the subatomic realm and the sink energies describe galactic and extra galactic scales of spacial displacement.
    The micro universe is connected with the macro universe through the Schwarzschild metrics (of black hole sinks and of white hole matter sources connected by worm holes) of the local consciousness carriers occupying spacetimes. There are many equations in the mathematics of the omniphysik that interconnect a variety of parameters.

    So the great conundrum of the two-sidedness finds its elegant solution in the consciousness carriers, the human imagers of both the 'original sourcesink' in the exile of the 12th dimension and on the outside the 11-dimensionellen super mirror and in the imaginary and imaged original sinksource at the inside of the super mirror.
    Outside it is determined in the electromagnetic (E=hf=mc2 with m=0 and f=fmax), however mass-inertia independent, but inside it is determined in the inertia (E=mc2=hf with f=fmin=1/fmax).



    Die Emanzipation der Gesamtheit so benötigt diese moduläre Dualität der Supermembranen, um ein neues Superuniversum zu erschaffen.
    In diesem Superuniversum, der Superspiegel wird wieder einseitig und der nötige 'TWIST der Raumzeit' wird eine fünfte Dimension vom Knoten des 7-dimensionellen hyperdimensional Universums auslösen.
    Dann kann sich die Urquelle in 4 Raumdimensionen und einer illusinären Zeitdimension entwickeln.
    Doch die Geschichte was dann so alles in einem linearen Universum im Finitum möglich wird ist eine Darstellung für eine andere Zeit.
    Alles Liebe zu euch allen und bitte erinnert euch dass alles was ihr als 'Nicht Ich' betrachtet ist doch 'Auch Ich'.
    Eines Tages wird ihr alle das schon ganz gut verstehen.



    The emancipation of the entirety so requires this modular duality of the supermembranes in order to create a new super universe.
    In this super universe, the super mirror becomes again one-sided and the necessary 'TWIST of the spacetime releases a fifth dimension in the unknotting of the 7-dimensional hyperuniverse of the quantumspace.
    Then the source in 4 space dimensions with an imaginary coupled time dimension can develop in emergence.
    Yet the story what then shall become possible within a linearized universe in the Finitum shall be a representation for another time.
    Love to all of you and please remember, that all that you consider not to 'Be You', nevertheless is 'All of You'.
    The day will come, when you shall understand this rather well.



    bluey. gaiaegg.

    FUTURE SHADOWS OF THE PAST

    "A most wondrous thing the Shadow is, a redeemer in all to succour;
    it can go where the light cannot abide, seemingly banished, it is not.
    For where the light is, the darkness flees, no longer present to endure;
    so to become illuminated is its destined journey and its troubled lot.

    But without the light, no Shadow can be cast, its such a splendid key;
    the dimensions reduce in space from three to two and all in just the one.
    Betwixt the light and the darkness it is and part of both for all to see;
    the Shadow of the body, does it not merge all in its rule under the sun?

    Whatsoever can cast a Shadow, must be a most wondrous thing to relay;
    as nature's very own offspring, the young ones grow towards their final goal.
    Enabled to bring peace to so many things appearing apart and so far away;
    the reconciliation for the suffering body with its spirit and its scattered soul."


    shiloh​





    Post last edited Nov 2nd 2012
     
  9. admin

    admin Well-Known Member Staff Member

    Messages:
    3,757
    wingmaker debunked
    http://www.bielek-debunked.com/Wingmaker.html


    [12:14:35 PM] have you put http://www.thuban.spruz.com/forums/...F5A4&fid=0EE0443F-6CDE-4125-8F2A-624B1ABAB9F3
    : this post onto the new forum ???
    : because
    : let me know when you transfer it
    : there is a lot to add to this
    : see here:
    : http://thespiritscience.net/2014/10/25/aliens-atlantis-and-the-afterlife/
    : and, then go here: to these links
    r: https://www.google.ca/search?q=wing...l2.2664j0j4&sourceid=chrome&es_sm=93&ie=UTF-8
    : even your old thread is listed :)
    : is this info; last edited late 2012
    : applicable also to the 12 level universe ?
    : http://www.thuban.spruz.com/forums/...F5A4&fid=0EE0443F-6CDE-4125-8F2A-624B1ABAB9F3

    : how would we write \we are that we are/
    : into that same sort of equation
    : (as, that is what activates all that we are)
    : the gematria is very interesting on that
    : also did you see eXKavier=excalibur=the sword in the stone in gematria ?
     
  10. admin

    admin Well-Known Member Staff Member

    Messages:
    3,757


    dh02bl5b1eyeofra.

    My Posts

    Posts: 1
    Rene - Posted 7 Hours Ago

    Hello without reading every word of this material I want to know if anyone has explored the Wingmakers.us website that goes over the changes from the original?? Also does anyone realize that JAMES in the Disinfo agent? I was drawn to the Desteni videos first and realized the similarities but in my mind they only cement the importance of the information. I have plans to do a class on this; is anyone up for discussing with me in a forum of sorts in an unbiased way, or just giving your opinion so we can view it in a a non emotional arena.
     

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